Susanne Brink's Arirang

The first part is pathetic and shows Eleanor Hamlin (Edith Roberts) severing home ties with her grandparents to be "adopted" by a party of idle rich on the cooperative plan. The parties adopting her are single, and one of them, Beulah Page (Winifred Greenwood), has her own ideas on the subject of raising the young - these ideas absolutely precluding the main requisite, love.

Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.

A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.

A frail waif, abused by her brutal boxer father in London's seedy Limehouse District, is befriended by a sensitive Chinese immigrant with tragic consequences.

The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it's gone for good.

This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.

Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.

Sal is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.

Robin is 16 and has had enough: permanent trouble at school and at home. On the run from his dull everyday life, he joins a group of skinheads. The clique strengthens their sense of belonging by beating up foreign youths. This is how the "apolitical" boy slips into the right-wing scene, and it's not easy to get out of it. When they injure a Turkish girl during a robbery, Robin, of all people, is questioned by the police.

A woman (Cybill Shepherd) financially supports the natural parents in hope of adopting their newborn, but she discovers she is the victim of a scam.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

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One of the world's most acclaimed comedies, M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital, and in the process infuriate Army bureaucrats. Robert Duvall, Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major, an other-worldly Corporal, and a self-righteous yet lusty nurse.

David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.

An epic tale spanning forty years in the life of Celie, an African-American woman living in the South who survives incredible abuse and bigotry. After Celie's abusive father marries her off to the equally debasing 'Mister' Albert Johnson, things go from bad to worse, leaving Celie to find companionship anywhere she can. She perseveres, holding on to her dream of one day being reunited with her sister in Africa.

Short film about racism.

In the 1960s, two entrepreneurs hatch an ingenious business plan to fight for housing integration—and equal access to the American Dream.

Richard, a homosexual man, decides to adopt a child named Juan. As the child becomes accustomed to his new home, he continues to suffer from the fears of his past. Ricardo feels that his son should know his roots and begins the quest to discover Juan’s true identity. This search unravels Juan’s real story; a story very different than what was presented before. Slowly, Juan’s life begins to appear, much like the tip of the iceberg submersed within the immense ocean.