Paging Emma

A young disabled girl invites a poor family, that she often watches playing in the street, over for Christmas dinner.

Elena is on a mission to finish a list of things that might bring her happiness. In her ongoing quest, she might need a change of perspective.

Clara Kimball Young stars as Mary Saurin, a British gentlewoman who journeys to South Africa to visit her district-commissioner brother Dick (Henry Woodward). Upon arriving, she is introduced to Major Anthony "Kim" Kinsella (Milton Sills), the most important and influential Army officer in the region. Falling in love with Kinsella, Mary agrees to marry him, but he is apparently killed in a native uprising.

A low-key silent drama of a man seeking vengeance on the villain whose lies sent him to prison on the night of his wedding.

When Matt Moore was thrown over by vamp Kathleen Cliffford, he resolved to have no more women in his life. But he didn't take account of wealthy Mage Bellamy who is determined to pursue him until he marries her.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

A doctor's wife is arrested for educating impoverished women about birth control.

In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

Today and Tomorrow (Hungarian: Ma és holnap) is a 1912 film directed by Michael Curtiz and starring Gyula Abonyi and Jenőné Veszprémy.

At The Beauty's Altar

Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.

A married couple, each in love with another, attempts to unentangle themselves from their marriage in order to be with the one each truly loves. But the more they untangle one knot, the faster more confusing knots appear.

Viola Dana plays Eleanor, a minister's daughter who comes to New York to visit her older sister, a successful businesswoman. Eleanor manages to get a job as a nurse in a major metropolitan hospital. One night, she is called upon to look after a drunken tourist, who turns out to be her hometown sweetheart Roger (Pat O'Malley).

Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.

A woman finds herself being a unpaid skivvy to her husband, two daughters and her son.

The end of a friendship between two fellow musicians torn by the harsh realities of adulthood in the Puerto Rican art scene.

Revenge of an Actress

In this detective picture, Janet marries Raoul Newell but leaves him when she finds out he is a thief. However, when he comes to her and asks her to help retrieve some papers stolen from him by Mr. and Mrs. Giles, she agrees and goes to work for the couple as a maid. But in reality, Raoul is after the couple's jewels.

Amores explores the world of acting from its most basic and solitary form: the monologue. If only an actor, a text, and someone who hears it are needed to make an acting exercise, then Amores offers fourteen splendid acts from renowned professionals in Puerto Rico. Amores is composed by different monologues that, in set, offer reflection on aspects of love. In this manner, the title becomes a statement: amor es... (love is...)