The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, a 70-year-old who is taking his mother to visit the German factory where she was forced to work during WWII. In this road movie which takes place between Majdanpek and Germany, the trip becomes a journey into the past, retracing memories from the war and revealing a unique relationship between an old son and his elderly mother.
When a US Naval captain shows signs of mental instability that jeopardize his ship, the first officer relieves him of command and faces court martial for mutiny.
In the first day of liberation, partisan Meke enters the palace where the king used to live.
The movie tells the story of Franz, a Waffen-SS soldier who deserts, and Polina, a Belarusian woman whose village is razed and people massacred.
During World War II, spy Wu Lai-sheung is instructed by her superior Fan Yeung-shan to murder spy number 13 Cheung Chi-ping. While Wu establishes a relationship with Sakei, the assistant general of the Japanese army, she also gets acquainted with Cheung. Cheung and Wu fall in love. Wu recommends Cheung to become Sakei's driver. Cheung pretends to court the Japanese spy Siu-kuen, but Siu-kuen arranges to kill the spies contacting with him. Cheung has seen through Kuen's identity for long. When Kuen is going to kill Wu, Cheung kills Kuen, Fan compels Wu to kill Cheung. Wu follows the instruction to murder Cheung. After the murder, Wu disappears. After the war, Fan discovers Wu ends up in asylum. When he visits Wu, he tells her of Cheung's innocence. This breaks Wu's heart. Cheung turns out to have seen through Wu's identity for a long time and pretended to have been killed to cover up his identity and facilitate his work. With the truth known and the war ended, Cheung and Wu married.
In 1930s fascist Italy, adolescent Luca just lost his mother. His father, a callous businessman, sends him to be taken care of by British expatriate Mary Wallace. Mary and her cultured friends - including artist Arabella, young widow Elsa, and archaeologist Georgie - keep a watchful eye over the boy. But the women's cultivated lives take a dramatic turn when Allied forces declare war on Mussolini.
In an attempt to assassinate Hitler, four American soldiers pretend to be Nazi's and sneak into enemy territory.
During World War II, Helmut Dantine specialized in playing villainous Nazis in Hollywood melodramas. He offers a compelling performance in a variation of these earlier roles in this suspense filled and politically loaded tale of intrigue. The story opens in German-occupied Athens during the darkest hours of the war. Civilians are not allowed on the streets after dark.
August 1943, Europe. The tentacles of the German octopus have begun to recoil. As the Nazis retreat, their concern focuses on the supply of oil from the refineries of Romania. Without the flow of "black gold", Germany's doom is sealed. Armadas of American bombers from bases in North Africa have begun to assault Pioesti - and there is another threat from the Partisans across the border of Yugoslavia. Against the tableau of spectacular events, the dramatic story of WILD WIND unfolds.
A WWII military pilot makes a valiant effort to be certified insane in order to be excused from flying missions. But there's a catch.
Paris : Les Lieux secrets de l'occupation
L'Enfer de la bataille de Normandie
Shpresa goes to the house of fascist collaborators to commit an assassination. After that, dressed as a bride, she becomes an illegal.
World War II is raging, and an American general has been captured and is being held hostage in the Schloss Adler, a Bavarian castle that's nearly impossible to breach. It's up to a group of skilled Allied soldiers to liberate the general before it's too late.
This story of the miller Florian, who gave all his money to the war against Napoleon, is loosely based on a true story. After the war, Florian's reimbursement is challenged, and he must also pay taxes on his destroyed mill. He resists the tax collectors and takes off to Vienna, where he intends to defend his rights. On the way, he rescues the Duchess of Guastalla from assault. She also wants to go to Vienna, as His Majesty Franz II is trying to contest an heir in her favor. With cunning, luck, and dagger, Florian fights his way through a slew of nobility and their secret police.
A couple of happy-go-lucky Venetian gondoliers discover that one of them is heir to the throne of a distant kingdom.
Starting in late May 1944, during the German retreat on the Eastern Front, Captain Stransky (Helmut Griem) orders Sergeant Steiner (Richard Burton) to blow up a railway tunnel to prevent Russian forces from using it. Steiner's platoon fails in its mission by coming up against a Russian tank. Steiner then takes a furlough to Paris just as the Allies launch their invasion of Normandy.
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II.
It is 1943, and the German army—ravaged and demoralised—is hastily retreating from the Russian front. In the midst of the madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich is still vastly superior to the Russian army. However, within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors.
While Nazi ideology dominated Europe, Adolf Hitler used all dogmas to his advantage and fed the cult of his personality. How did the Führer manage to transform the Bible, the Church and the symbols of Christianity into instruments of power, winning the support of the Germans? This documentary traces the rise of a little-known theological organization: the “German Christians”, which became the most powerful propaganda tool of the Third Reich.