Willie and the Mouse

The rock pocket mouse is a living example of Darwin's process of natural selection. Evolution is happening right now everywhere around us, and adaptive changes can occur in a population with remarkable speed. This is essential if you're a mouse living in an environment where a volcanic eruption can reverse selective pressure in nearly an instant. The film features Dr. Michael Nachman, whose work on pocket mice reveals a complete story, from ecosystem to molecules, that demonstrates how random changes in the genome can take many paths to the same adaptation-a colored coat that hides them from predators.

A band of mice steals grains from cats.

Narrated by Tim Curry and based on the book by Russell Hoban and Quentin Blake, a lonely, lost marzipan pig reaches out with love, in a strange chain of events, to an owl, a mouse and a hibiscus flower.

A mouse from the streets and a church mouse try to help a priest and an organist save Christmas by composing a Christmas carol.

Beatnik mice are chased by a square cat.

The aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak battle over the doll of their hearts' desire.

A man suffering from paranoia and delusions is convinced that the city water source is contaminated

Two segments (“Thanksgiving Nightmare” and “Thanksgiving Dreams”) and several mini segments explore the traditions, fun, and excitement of the holiday of Thanksgiving.

Mice sold into slavery and driven to pick cotton by whip-cracking cats plot their escape to freedom.

Hickory and Dickory, the two mice, overhear a news report that all black cats will be exterminated because it is Friday the 13th. Doc, who is a black cat, is being hounded by the police. They try to "help" him but their attempts cause more harm than good (they tell him to hide in Cecil the bulldog's doghouse and inside a running dishwasher). When he discovers he's being given the "run-around", he tries to get his revenge on them (and on Cecil the bulldog) but all his attempts fail miserably.

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

A pair of not-too-bright Mexican cats, one shorter-tempered than the other, decide to chase Speedy Gonzales, the fastest mouse in all Mexico.

Marcelle Toing, owner of the best restaurant in Rio de Janeiro, must go on missions to steal ingredients from human restaurants to keep his meals the best.

Sylvester the cat imitates the Pied Piper of Hamelin to lure a group of mice into a jug that he seals with a cork. But Speedy Gonzales won't be hypnotized by Sylvester's flute and gradually rescues his friends from Sylvester's clutches.

Babbit hypnotizies Catsello, despite his efforts to resist, into believing he's Bing Crosby, Frank Sinatra, and Jimmy Durante, then a chicken, and finally a dog, who he sics on the cat. The cat hypnotizes him back. Finally, Catstello hypnotizes both of them into cowboy and horse, leaving him alone to enjoy the deli they live in.

A small mouse family plans a quiet Christmas outside the city, but their celebration is disrupted when humans unexpectedly appear. As the mice try to hide their preparations, the humans react to the noises behind the walls with determination.

A mouse engineer gets tasked to repair something deep inside the walls of a spaceship, where he finds more signs of life then he would hope for.

From animation legend Chuck Jones comes the big cheese of mouse collections! Enjoy 19 remastered animated shorts featuring some mischievous mice and their daring adventures! Legendary animator and director Chuck Jones first began animating cartoons for Warner Brothers in the early 1930s. By 1939, Jones had become an integral part of the Looney Tunes and Merrie Melodies cartoon-creation team with his animated shorts about Sniffles the mouse.

Dogs who hate mice.

The rise and fall story of a troubling and fragile actor who would eventually be recognized for his talent. The case of Mickey Rourke is a real turning point in the way men have portrayed themselves in American cinema.