Willie and the Mouse

The rock pocket mouse is a living example of Darwin's process of natural selection. Evolution is happening right now everywhere around us, and adaptive changes can occur in a population with remarkable speed. This is essential if you're a mouse living in an environment where a volcanic eruption can reverse selective pressure in nearly an instant. The film features Dr. Michael Nachman, whose work on pocket mice reveals a complete story, from ecosystem to molecules, that demonstrates how random changes in the genome can take many paths to the same adaptation-a colored coat that hides them from predators.

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

A man suffering from paranoia and delusions is convinced that the city water source is contaminated

A band of mice steals grains from cats.

The aristocratic White Mice and the rustic Creatures Who Dwell Under the Oak battle over the doll of their hearts' desire.

A mouse from the streets and a church mouse try to help a priest and an organist save Christmas by composing a Christmas carol.

Two kids are used as guinea pigs, thinking they're saviors.

Beatnik mice are chased by a square cat.

Two segments (“Thanksgiving Nightmare” and “Thanksgiving Dreams”) and several mini segments explore the traditions, fun, and excitement of the holiday of Thanksgiving.

Hickory and Dickory, the two mice, overhear a news report that all black cats will be exterminated because it is Friday the 13th. Doc, who is a black cat, is being hounded by the police. They try to "help" him but their attempts cause more harm than good (they tell him to hide in Cecil the bulldog's doghouse and inside a running dishwasher). When he discovers he's being given the "run-around", he tries to get his revenge on them (and on Cecil the bulldog) but all his attempts fail miserably.

From animation legend Chuck Jones comes the big cheese of mouse collections! Enjoy 19 remastered animated shorts featuring some mischievous mice and their daring adventures! Legendary animator and director Chuck Jones first began animating cartoons for Warner Brothers in the early 1930s. By 1939, Jones had become an integral part of the Looney Tunes and Merrie Melodies cartoon-creation team with his animated shorts about Sniffles the mouse.

Marcelle Toing, owner of the best restaurant in Rio de Janeiro, must go on missions to steal ingredients from human restaurants to keep his meals the best.

Dogs who hate mice.

Babbit hypnotizies Catsello, despite his efforts to resist, into believing he's Bing Crosby, Frank Sinatra, and Jimmy Durante, then a chicken, and finally a dog, who he sics on the cat. The cat hypnotizes him back. Finally, Catstello hypnotizes both of them into cowboy and horse, leaving him alone to enjoy the deli they live in.

Mice sold into slavery and driven to pick cotton by whip-cracking cats plot their escape to freedom.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In Columbus' Cursed Colony join two scientific expeditions on a journey that takes you beneath the waters of La Isabela Bay in Dominican Republic to search for the lost fleet of Christopher Columbus.

Earthquake of Mexico