Playboy's Sorority Girls

A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for 150 years. For the first time ever, their story is told.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Get ready for excitement with Playboy's spectacular tribute to well-endowed women.

Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.

In this provocative movie, Playboy shows you and your partner 101 ways to achieve heightened levels of sensuality and discover the ultimate in lovemaking pleasure. Through a deep exploration of sensory experiences, attractive couples demonstrate a series of creative ways to enhance your erogenous zones. By mastering these tantalizing techniques, you’ll add a new dimension to your shared sensual experiences that will excite you and your lover for a lifetime.

A collection of nude and/or topless scenes from various films featuring actresses who were either famous at the time or who became famous later on.

Every school day, African-American teenagers William Gates and Arthur Agee travel 90 minutes each way from inner-city Chicago to St. Joseph High School in Westchester, Illinois, a predominately white suburban school well-known for the excellence of its basketball program. Gates and Agee dream of NBA stardom, and with the support of their close-knit families, they battle the social and physical obstacles that stand in their way. This acclaimed documentary was shot over the course of five years.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

A written testimony by co-director Jin Ryoo on his experience preparing for Korean compulsory military service is juxtaposed with images of an empty UCSD campus, the desolate construction sites sprawling off of it, and the Mt. Soledad Veterans Memorial.

(Pseudo) documentary film about sexual life in the late sixties and early seventies, from the series of Oswalt Kolle's sex education films that caused scandals in the late sixties and early seventies.

Every man and woman has the potential to experience lovemaking at its best. All you need is desire. Love Skills shows you how to express it. This carefully produced documentary is introduced by Joshua S. Golden, M.D., the directory of U.C.L.A 's Human Sexuality program, who, along with a prestigious team of doctors, counselors and therapists has designed a unique way for people to expand their sexual horizons.

A documentary that investigates the sexual habits of Italians at the time. Street interviews are interspersed with erotic studio reconstructions.

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

A pseudo-documentary about the processes involved in putting together and casting actors and actresses for a porn film. Although several actual porn stars are in the film, it is not a porn film itself.

L'école en actes

February 5, 1993, in front of a standing room-only-crowd at Seattle's Moore Theatre, impresario Jim Rose performs his own odd tricks - putting a screwdriver up his nose, pounding a nail into his head, and pushing his face into broken glass. He also introduces and provides a running commentary on four other sideshow performers: Mr. Lifto, who can lift and swing heavy objects from various body piercings, the Torture King, who turns himself into a human pincushion, the Enigma, who swallows worms, crickets, and swords, and Matt "The Tube" Crowley, who ingests various things into his nose, mouth, and stomach and bring them back out. The crowd goes wild.

Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traces the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.