Punks

The film tells the bittersweet love life of a group of young men who could not be more different from each other: Ryuji is a teenager passionate about rugby, Akira is a beautiful and popular kabuki actor, and Yutaro is the son of a yakuza leader. Their paths come across after they fall in love with the aspiring actor Makoto Hayakawa

Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

The movie follows Bernie, a record producer who persuades his nephew Frankie to create a new rock star that will help Bernie overcome his work related ennui. Iggy, the burnt out roadie pillages the graves of various celebrities such as Buddy Holly, Jimi Hendrix, and Sid Vicious, using the head of Elvis Presley to top things off. All goes according to plan until a mishap leads Iggy to steal Liberace's private parts instead of those of Jim Morrison. The monster is brought to life and is on the road to rock 'n' roll success when the Liberace side of the monster begins to assert itself, with tragic results. The result: a monster (Guggenheim) with the sex drive of a macho rock star and the sexual orientation of Liberace.

Chisato is a beautiful 35-year-old writer, who looks like 18, and the father of Riju, a cute 15-year-old boy. Chisato's hobby is to drive away all of Riju's friends because he thinks they want to corrupt his precious child, so he shows his good side to these boys while he poisons the cake he brings them with a smile; however, there is one guy, Shunsuke, who doesn't fall for the tricks. But is Shunsuke really aiming for Riju? Who is that mysterious writer Chisato loves so much? And why is Chisato convinced that Riju's friends want to take advantage of him?

An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.

Two high school enemies, uber-jock Harry and out-and-proud Sam, are forced to share a car ride to their Missouri hometown for a friend's engagement party on Valentine's Day. Things take a turn when Sam learns Harry has come out.

Let BOYS ON FILM move, inspire and uplift you with this stunning collection of 11 new gay short films, marking the final physical edition of the series. The 11 short films are: We Collide (2023); Firsts (2022); Sea Sparkles [Noctilucas] (2022); Aloof [מנגד] (2020); The Rev (2021); Prelude [Preludio] (2019); Beautiful Stranger (2021); You Like That (2023); Thursday, Friday, Saturday [Jeudi, vendredi, samedi] (2021); The Unknown Man [L'homme inconnu] (2021); S.A.M. (2020).

A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.

In a religious retreat, Maria and Camila defy the rules to live a night of confessions and discoveries through an intimate journey of youthful rebellion and search for identity that will test their friendship and faith. Between laughter and secrets, they discover that growing up is also an act of courage.

Something Like Summer traces the tumultuous relationship of Ben and Tim, secret high school sweethearts who grow over the years into both adulthood enemies and complicated friends.

Santiago and Jared , two teenagers of opposite personality spend an afternoon together looking for ways to overcome their differences. After an act that begins as a game their senses will find the space to coincide.

In a frozen town unwilling to stagnate, a middle-aged man meets true love and decides to come out of the closet. A lesbian couple decides to look for a gay man to marry and have a child. Behind their fiery love stories is an absurd drama of identity politics. The ghost of communism often wanders around the lonely souls.

Christoph, cop and self-confident macho, has trouble with his fiance. After a long night he wakes up in the arms of Edgar, a good-looking, gay auto-mechanic. His live gets more and more troublesome after his girl friend throws him out of their apartment and as last resort he moves to Edgars place. Working together with a new, good-looking, very self-confident, female collegue, but living with a good-looking gay guy makes him pretty uncertain about his sexuality and his role as a cop. Written by Konstantin Articus

Raúl, Eduardo and Santiago have led a happy and "straight" life since their childhood, until, one day, Santiago confesses to them that he is gay.

When Alexandria Smith, a non-binary manic playwright gets nullified due to a social media video they must return home and face their crumbling relationships. A modern LGBTQ adaptation of Anton Chekhov’s “The Seagull” for a new generation.

Petra von Kant is a successful fashion designer -- arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.

In this raunchy and outlandish queer comedy, best friends Robby and Noah-Lee – employees at Portland's historic Clinton Street Theater – find themselves confronted by a parade of increasingly wacky, genre-tinged suitors.

When Javi and Rafa are about to say goodbye forever, they both arrive at the same conclusion: for their love to exist, one of them must eat the other.

Upon helping her friend audition for their all-girls high school's production of Romeo & Juliet, freshman Sun-wha is unexpectedly cast as Juliet. To her surprise Romeo is played by the über-cool and stunning senior Ha-nam, whom all the girls seem to have a crush on. As the two would-be thespians grow closer, Ha-nam takes Sun-wha under her wing in more ways than one. However this sparks the jealousy of the play's director, Su-yeon, whom, it turns out, is more than friends with Ha-nam.

With the aim of studying sexuality and the role of disciplinary power in controlling the female body for a Philosophy of Communication course, the short follows accounts by non-straight women about their process of discovering their sexuality and acceptance.