Eine Melodie - vier Maler

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Passage

Le carnet

Green Myth

Camera obscura

A short documentary about the community within and history surrounding a historically Black Brooklyn mosque, produced in collaboration with the Jacob Burns Film Center.

A portrait of feuilleton author, Marcel Allain, creator of one of Franju’s favourite heroes: Fantômas.

"The Little Old Lady Who Was Not Afraid of Anything" is based on a Halloween children's book about how a brave old lady meets a spooky set of clothes that follow her home.

Short documentary about an archetypal library concept for kids in Clamart.

Documentary profiling young Roxy Music fans. They talk about the band and the music, are seen out and about in Manchester, they prepare for a concert at the Opera House. Includes footage of a tribute band, who, due to a lack of musical instruments, use household appliances to make music.

A short experimental documentary that captures youth culture in Galway City through the conversations of the young people that inhabit it and their relationship with time.

Tanovic himself a refugee from Sarajevo interviews a Bosnian refugee in Brussels their new adoptive country Belgium.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

The Kid Tintouin

A pupil turns up to his new class for the first time. However, this pupil is different to the others, he's a frog in a class of rabbits.

Le manteau

The sun rises in the city of Lisbon, the morning after its biggest festival, Santo Antonio. As the citizens wake up and start their day, the decorations from the party come to life to leave the city.

The roads are full of snow and the bus is late. The Principal is mad at the bus driver but he is also sick.

After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.