Bloody Record of the Shinsengumi

A wave of terror is threatening to unseat Shogun Yoshimune. Police stations are erupting into flames, convicts escaping from prison, houses robbed and vandalized, streets teeming with panicked citizens. Is Ijyuin Tanomo, highly-placed official of Owari clan, secretly using deadly ninja to foment riot and rebellion? Narumiya Shinbei, a lone samurai spy adept at ninjutsu must uncover the hidden hand orchestrating these shocking crimes. Shinbei enlists a small band of dedicated ninja to lay siege to the enemy’s stronghold, where his own sister works as an undercover agent. Now, ninja must fight ninja in a last desperate battle to save the shogunate.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can't steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Floating Vessel (源氏物語 浮舟 , Ukifune) is a 1957 color Japanese film directed by Teinosuke Kinugasa. Drawn from parts of the famous Genji monogatari by Lady Murasaki.

A ghost interrupts the journey of two young noblemen who are disguised as merchants.

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

In a world where vendettas are officially sanctioned, the people sometimes needed help in carrying out their vengeance. Sanada Hiroyuki stars as Sukeroku the Helper, a ‘cool and rambling yakuza’ that has made a business out of helping victims carry out their revenge. When he returns to his hometown to pay a visit to his mother’s grave he meets a deadly ronin who carries a secret which eventually leads him into a vendetta of his own.

Kanichiro Yoshimura is a Samurai and Family man who can no longer support his wife and children on the the low pay he receives from his small town clan, he is forced by the love for his family to leave for the city in search of higher pay to support them.

Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

The Color Print of Edo is a 1939 black and white Japanese silent film with benshi accompaniment directed by Kazuo Mori. It is a cheerful period drama, sprinkled with comical scenes and tells the story of a loyal and handsome Edo period servant who fights to help his older brother marry the woman he loves. The star of this film, Utaemon Ichikawa, gained enormous popularity for his portrayal of a cheerful and chivalrous man.

The secret warriors of feudal Japan were the ninja. Sent on impossible missions, the ninja were trained to work in shadows, gather information and defeat the enemy to build a world of peace. Akakage, Aokage, and Asuka are rookie ninjas under the tutelage of Shirokage. Their life is a series of perilous missions that entail intrigue, deception and intimidation.

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

The Jumping Magistrate

The Roar of The Lion

A touching true story which portrays a doctor who selflessly dedicated his personal fortune to spreading the smallpox vaccination for saving people's lives.

The Official And The Princess of Thieves

The Well-known Magistrate

Bakumatsu seishun graffiti: Ronin Sakamoto Ryoma