Jimmy Kilmartin's an ex-con who's trying to go straight. But he can't say no to a quick driving job because his so-called friend's life is threatened. The job is for Little Junior Brown, a violent and powerful villain. When things go wrong, Jimmy is left to do the time, and his whole life is turned upside-down, but if that wasn't enough, the cops won't leave Jimmy alone when he gets out... They want Little Junior Brown.
Free after years in prison, Carlito Brigante intends to give up his criminal ways, but it's not long before the ex-con is sucked back into the New York City underworld.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
An abandoned teen jumps a freight train in Philadelphia intent on reaching his uncle in Indiana, whom he believes will help him with financial difficulties including a pregnant girlfriend. In Ohio, he meets another homeless teen, who escorts him to his uncle. Finding his uncle equally broke, the duo head on to Oklahoma City to try to find the first teen's long-gone ex-con father. A confrontation between father and son send the duo on into exploits in the west including getting beaten up, busting into an Indian reservation church, and hitch-hiking with a beautiful nurse.
After falling ill, Yesterday learns that she is HIV positive. With her husband in denial and young daughter to tend to, Yesterday's one goal is to live long enough to see her child go to school.
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.
AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
A rebellious teen is reunited with her father, a small time Taipei gangster, causing him to question his life of crime.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
Three friends growing up in South Central Los Angeles navigate a neighborhood plagued by violence, unemployment, and crime, each responding differently to the harsh realities of street life. As tragedy strikes close to home, their friendship, choices, and hopes for a better future are put to the ultimate test.
Ben, a wannabe stand up comedian in Melbourne, doesn't live for the weekend like the O'Jays hit song, in fact he finds that philosophy kinda depressing. Spending most of his life on the stage, in his Uber and hanging out with his friends, he floats through life wondering - is there more to this?
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
In a violent relationship, it takes a mother’s strength to save herself and her children from the man she loved. Once Were Warriors is a violent love story set against a contemporary urban backdrop.
Meet Duewand Collier Jr.-Male, 68 years old, American Citizen, a child conceived in the backdrop of the Philippines-American Mutual Defense Treaty, born and raised with Catholic guilt. He has made peace with his past and now tells his story-a story of love.
The lives of a matriarch, her two sons, and her niece are never the same again as they come to terms with an indiscretion in the family. A pivotal decision is made and a downward spiral ensues wherein the outcome can be no less than earth-shattering.