Tramway

T'adhib

Epic story of betrayal, family and money. Basically a bit like The Sopranos. Only in live action. As if Shakespeare had completed an internship at Deutsche Bank and written a comedy out of despair. People born before 1977 simply replace Sopranos with Dallas.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". ADX Florence, Colorado, USA, is the most secure prison facility in the United States. During the early stages of the Krippin Virus Pandemic, John Edward Lord, an imprisoned terrorist is deliberately left behind at the prison to die, with no information on the outbreak.

This is one of the four "animated comics" taking place in the same universe as the film "I Am Legend". In New Delhi, India, during the Krippin Virus Pandemic, Vatsala and her family are preparing to evacuate to a shelter. That night, Vatsala sneaks out of her home and into the chaotic streets of the city to find her boyfriend, Pritam.

Dakar, Senegal. Ousmane, a 7 year old child, begs in the streets. He decides to write a letter to Santa Claus.

In a future where victims of traumatic crimes have the memory erased like it never happened, one woman finds herself struggling for her right to refuse the process.

Makis is a professional deflowerer and visits psychiatrist Haralabos Babis to ask for his help about a personal issue. Their conversation though, will soon take unexpected paths.

Twelve year old Ben discovers the effects of violence when he visits his Uncle Jake.

On a ranch somewhere in the Midwest, Renee takes a stand against fear, uncertainty, doubt and evil itself. But does she have the strength to bring back the power of love to a brutal and unforgiving world?

A young mortician learns that not even death can stand in the way of true love. A whimsical, gothic bedtime story filled with love, loss, taxidermy, Kung Fu, and biker werewolves.

Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Lord Trevor and his ward, Nan, uncover a mysterious threat in Egypt. Disguised in Cairo, Nan infiltrates a deadly conspiracy targeting the English and must act swiftly to stop it before disaster strikes.

The story of a free-spirited Bohemian. Capellani would remake the film in the U.S. in 1916 with a longer runtime.

For Love of Mary Ellen

When Fannie offers her father to cut his hair, he accepts. Alain knows that his daughter will do it carefully and thoroughly, as usual. But an outside incident change their plans and confront the precariousness of this shared moment. The cut tells the story of a father and a daughter, between proximity and detachment, for the moment of an haircut. -Written by Colonelle films

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Jeanette, a pretty high school student, is looking for “kicks”. She starts hanging out with a wild crowd, and begins popping bennies, uppers and other pills. Soon she graduates from barbiturates to marijuana…

A superstitious guy, Bien, seeks all sorts of “divine” signs that will determine his decision of asking the girl of his dreams out on a date. The fear of rejection swallows him whole, making him justify his cause to seek for more unfathomable signs. But when each sign he asks for materializes, he soon learns that he has to be careful with what he wishes.

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.