Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.
Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyoming, standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.
On a ranch in Wyoming, one of the cowboys, Cheyenne Harry (Harry Carey), falls in love with his boss's daughter. But she decides to elope to the city with Captain Thornton, a wealthy visitor to the ranch. She quickly discovers that life in the city is not what she expected. Cheyenne, devastated by the loss of his fiancée, decides to go to the city to find her, and in the end rescues her from the grips of Captain Thornton and from the extravagant and decadent way of life in the city.
Doan is trying to get control of the valley by having his night riders drive the ranchers out. Jack Benson hires on at the Williams ranch, the one ranch Doan must have. When Benson learns that Doan is the boss of the night riders, he joins up with him. He has a plan that both saves Williams' ranch and also brings Doan to justice.
Randall and his sidekick Manny (Frank Yaconelli) played horse traders battling a greedy and unscrupulous rival (Tom London). When some of his stock disappears, Jack follows the trail to a ranch belonging to Harriet Morgan (Marin Sais) and her young niece, Ann (Phyllis Ruth). A white stallion is accused of luring the Morgan mares astray but the horses are in reality being rustled by the ever-present London and his henchman (Charles King).
When newcomers Whip and Bob break up a saloon fight they are made town Marshals. This puts then in the middle of the range war between large ranch owner Howard and the small ranchers. Everyone thinks Howard is the culprit but Whip believes otherwise.
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She's also the object of the attentions of Mabry, a gunslinger who's owed money by the richest man in Bonanza.
This documentary follows the lives and hardships of several cougars (mountain lions) which have been under study by the Teton Cougar Project since 2000.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
After a bloody exchange with some bounty hunters, Anna, a veteran of the War in Afghanistan, and Gloria, her ill-prepared God-fearing friend, team up with a pair of coyotes to escape into Mexico.
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.
Two women in their fifties. Everything sets them apart: their social standing, their life experiences, their backgrounds. Despite their differences, they will join forces for the same deeply personal and visceral goal: to gain custody of their grandson upon his return from a jihadist prison camp. Two women, one child. Three destinies inextricably linked.
Marshall "Big Jim" Cole turns in his badge and heads to Wyoming with his family in order to settle on some land left him by a relative. He faces opposition both from a neighbor who wants that land for his own sons, and from a grizzly bear nicknamed "Satan" who keeps killing Cole's livestock.
When US Marshal Moses White is called to the Wyoming Territory town of Dogwood Pass he never realized the corruption and deceit that awaited his arrival. Sometimes one small seed of seduction and greed planted in the right situation can cause a whole town to go bad. One bad character leads to another and it all starts with a dead husband in a western town.
"The Laramie Project" is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of "The Laramie Project," the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town's citizens over a two-year period. The film adaptation dramatizes the troupe's visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.
A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.
Deep in the fields of Puerto Rico, two men gunfight over who gets to keep a plantain bunch.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.