The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
This historical drama tells the story of Qin Shihuang, who unified China's vast territory and declared himself emperor in 221 B.C. During his reign, he introduced sweeping reforms, built a vast network of roads and connected the Great Wall of China. From the grandiose inner sanctum of Emperor Qin's royal palace, to fierce battles with feudal kings, this film re-creates the glory and the terror of the Qin Dynasty, including footage of Qin's life-sized terra cotta army, constructed 2,200 years ago for his tomb.
A damsel in distress agrees to run away with her wealthy lover in order to escape from her abusive husband. But all is not as it seems in this 1940s film noir.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
A multimedia short created for the U.S. millennium celebrations, The Unfinished Journey reflects on America’s history and spirit through six chapters—immigration, war, culture, civil rights, and innovation. Commissioned by President Bill Clinton and premiered at the Lincoln Memorial on New Year’s Eve 1999, the film features an original orchestral score by John Williams titled American Journey.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
The war is coming to an end, and while some German officers fight with fanatical conviction until the very end, others begin to think about life after the war. The wealth that the Nazis hid in various places during the war attracts not only the Germans themselves, but also the secret services of the Allies. Their agents and feared commandos attempt to overcome the fierce fighting on the front lines and infiltrate the German army and the dreaded Gestapo.
Cartagena, Colombia – 1666. An enslaved woman accused of witchcraft comes face to face with evil incarnate and a Faustian bargain for her freedom while imprisoned in the bowels of the Palace of the Inquisition.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
When Death wants to bring the plague to Württemberg in 1349, he has not reckoned with the two guard soldiers Volckel and Utz, who engage him in a heated argument about plague ordinances and entry regulations.
Dave and Phillip Hull, twins, are totally different in character. Dave is steady, slow to hate and true in love. Phillip, the gay and popular gambler, is perhaps more lovable on the surface, but shifty and flare-tempered underneath. Dave loves little Meg, daughter of Hardy, a cattle rustler. Dave does not know that the father is a cattle rustler, however.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
A stubborn VCR technician quits his job at an evolving tech-solutions conglomerate to start his own small business in hopes of making a final stand to stay relevant through the changing times.