Return with Honor

In the depths of a Maine winter, an end-of-life doula prepares her clients for death while grappling with her own uncertainties about loss and mourning.

Filmed over a decade and set in the American West, Dryland traces a young man's quest for victory in a rambunctious contest, while battling to preserve a threatened way of life. Josh Knodel and best friend Matt Miller strive to win the Lind Combine Demolition Derby, save their town, and preserve the legacy of their families' Eastern Washington wheat farms.

A journey in sound through the unusual life and career of jazz legend Charles Lloyd. Lloyd's own voice, and those who worked with him over the last five decades help us discover and better understand this enigmatic man and his spiritual pursuit through music.

Brooklyn, 4 July 2004. Jenny Perlin spends her entire Independence Day filming her neighbourhood supermarket. Although the front of the building is dilapidated and the sign is so old you can barely read it, this shop has everything a larger supermarket has, "and sometimes even more," according to its proud owner Mr. Leem. He and his brother work 14-hour days in the supermarket. In an off-screen interview, he tells about the shop's history and about his favourite music: Johnny Cash and Najwa Karam. Every two hours, Perlin grabbed her 16 mm Bolex camera to shoot two and a half minutes of film (the time it takes for the spool to unwind). This "arbitrary" style of filmmaking emphasises not the action, but the rhythm. The beauty of the shop is not in the extraordinary events taking place there, but in the fixed patterns of plodding and rummaging.

At the risk of a 5-year prison term, Francesco Da Vinci struggles with his Virginia draft board to be recognized as a sincere conscientious objector to the Vietnam war.

Amy Johnson was the first woman to fly solo from Great Britain to Australia. Mulvey and Wollen’s experimental documentary combines newsreel footage of the aviator’s arrival, dramatic recreations of events from her life and contemporary discussions by feminist groups on the subject of heroism in this most unconventional biopic.

The award-winning documentary film Justice for My Sister takes an intimate look at violence against women in Guatemala by chronicling the three-year journey of Rebeca as she tries to hold her sister's killer accountable. The film serves as the centerpiece of a transnational campaign to promote healthy relationships and denounce gender-based violence and femicide/feminicide.

Based on the Nicaraguan poet Ernesto Cardenal's tribute to Norma Jeane Mortenson, these Cuban filmmakers link the actresses' overdose/suicide to patriarchy, exploitation, and many of the ills of the twentieth century.

Ahead of Weronika, an outstanding graduate of Warsaw Ballet School, lies the prospect of an international career. It turns out that talent, dedication and hard work are not always a guarantee to success. Sometimes one bad moment wipes out all the plans. However, Weronika isn't one to give up easily.

Largely due to censorship, many films, especially documentaries and independent films, can't be released in China. But underground cinema clubs are making independent films accessible to Chinese audience despite the all the risks.

Single channel, super-8mm film transferred to high-definition digital media, color, silent.

While the war raged on, Henry Kissinger, national security advisor to President Nixon, and Lê Duc Tho, member of Vietnam's Politburo, held secret meetings in France.

A documentary on Baybie Hoover, a blind New York street musician.

A 1980 documentary on the historic Brooklyn neighborhood.

Anti-war feature documentary uncovering America's support of Hitler and the role of big business in the development of the atomic bomb, the Cold War, and nuclear power.

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.

“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.

There are children. There are those who abuse them. And there are those who know, but never tell.