Un elefante color ilusión

It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.

A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.

The Chinese consider the lion a symbol of good luck, so it's a half-dragon, half-lion – a dralion – that is the symbol of the East-meets-West fusion of this performance in which 36 Chinese acrobats join the renowned Canadian troupe. Celebrating the four elements as represented in four colours – blue (air), green (water), red (fire) and ochre (earth) – Dralion combines ancient Chinese circus traditions with Cirque du Soleil's usual stunning elements: the techno-oriented single ring; the multicoloured lights and costumes; the music that mixes rock, New Age and various world influences (though not Chinese); and the madcap clowns that pull a victim out of the audience.

Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.

From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.

Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.

Mary Miles Minter is the title character. Pat (Minter) is a little orphan who has been raised around the circus. Her foster father is Toto the clown (Neely Edwards). Toto hopes to marry Pat until the day the circus comes to a Southern town and she meets handsome Dick Beverley (Jack Mulhall). Beverley falls in love with Pat and takes a job as trick rider just to be near her. Beverley's aristocratic parents (Winter Hall and Helen Dunbar) find out about his new job and insist that he come home. Two of the five reels survive.

On behalf of "oppressed bugs everywhere," an inventive ant named Flik hires a troupe of warrior bugs to defend his bustling colony from a horde of freeloading grasshoppers led by the evil-minded Hopper.

Post-war Germany 1945: Two rival gangs of uprooted boys fight each other in the ruins of Berlin, whose business is the black market out of necessity in order to survive. Their respective leaders are Gerhard and Dietrich. A pretty young circus artist named Corona comes to the destroyed city with a traveling circus. She immediately caught the boys' attention. When the latter notice that the circus director is abusing the girl, the two gangs join forces and plot an act of revenge against the tyrant. But with the hustle and bustle caused by this, Corona falls from the trapeze and is seriously injured. When the circus moves on, the boys organize a doctor for the sick artist who has been left behind. Their collectively concern for the blonde beauty makes them forget their enmity. This welds the troops closer together and sets the course for a common, meaningful future.

A gypsy performer and friend flee the circus troop they work for and find an old house to take refuge. Little do they realize that the house is haunted when they encounter strange men, frightening apparitions, and secret passages.

The story of an innocent and charming clown who strives to find his own place in the world. KOOZA is a return to the origins of Cirque du Soleil. It combines two circus traditions - acrobatic performance and the art of clowning. Between strength and fragility, laughter and chills and turmoil and harmony. KOOZA is set in an electrify8ing and exotic visual world full of surprises, thrills, audacity and total involvement. filmed live in Toronto, Canada with 8 cameras in high definition.

The Our Gang kids put on a circus in the barn to raise money to help Porky's family pay the rent and avoid getting evicted.

On his deathbed, Ludovico entrusts his daughter Margot to the housekeeper, Felicia, asking that the family villa be transformed into an orphanage so that the little girl can grow up in joy with other children. But the wicked Felicia only wants the little girl's assets and not take care of her. With the complicity of her suitor, Max, she exploits the orphaned children and keeps Margot segregated and neglected to the point that the child withdraws into herself and no longer speaks. One night, however, Margot manages to escape and, after overcoming the darkness of the woods, she comes across a circus.

Cirque du Soleil presents VOLTA – an inspiring story about the freedom to choose and the thrill of blazing your own trail.

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.

Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

A frontier huckster, Colonel Ryder, and a young orphan, Davey, operate a travelling tent show. They are loaned an elephant by an old friend, Molly, who is also a rival circus owner. Davey trains the elephant and the two soon become inseparable. When the Colonel loses the elephant in gambling, Davey steals the elephant and begins a 20-mile search for Molly, the rightful owner.

In 'The Circus Kid', Buddy, an orphan who runs away from a a harsh orphanage, joins Cadwallader's Circus.

While visiting the circus with his family, Charlie is recruited by the big top's co-owner to investigate threatening letters that he's received.