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In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.

When all Broadway shows are shut down during the Depression, a trio of desperate showgirls scheme to bilk a repugnant high society man of his money to keep their show going.

A nightclub dancer makes it big in modeling, leaving her dancer boyfriend behind.

A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.

The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.

After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.

Steve Raleight wants to produce a show on Broadway. He finds a backer, Herman Whipple and a leading lady, Sally Lee. But Caroline Whipple forces Steve to use a known star, not a newcomer. Sally purchases a horse, she used to train when her parents had a farm before the depression and with to ex-vaudevillians, Sonny Ledford and Peter Trott she trains it to win a race, providing the money Steve needs for his show.

This short film showcases six production numbers from various Warner Bros. musicals.

A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

A society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel. His family is distraught, but soon her behavior has forever altered their snobbish ways.

Husband-and-wife vaudeville stars separate when success goes to his head.

Leaving Missouri to find a wealthy husband in New York City, Eadie Chapman becomes a chorus girl and soon entertains at the lavish home of millionaire Frank Cousins. Cousins proposes to Eadie, only to then commit suicide due to bankruptcy. Fellow millionaire T. R. Paige defends Eadie when the police question her for having Cousins' jewelry -- but when she becomes enamored with his son, Tom, Paige declares Eadie a gold digger.

Chorus girl and rich playboy want to marry but he'll lose his fortune unless his trustee approves of his mate. So she goes to work in the trustee's brokerage firm under an assumed name to get on his good side but complications ensue.

The life of Fanny Brice, who rose from the Lower East Side of New York to become one of Broadway's biggest stars under producer Florenz Ziegfield. While she was cheered onstage as a great comedian, offstage she faced a doomed relationship with the man she loved.

When the ballerina star of a musical feature walks off in a huff, aided by the fit-throwing director, her understudy steps in and a star is born.

In this musical short, the son of a department store owner replaces the regular sales girls with chorus girls.