"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.
Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.
Widowers Amos and Ben plot to romantically unite Amos’ daughter, Luisa, and Ben’s son, Matt, by pretending to feud and forbidding the teens to associate, knowing they will resist their fathers’ interference. As the two youngsters fall in love, the fathers plot to end the "feud" by hiring a traveling showman to fake an abduction and allow Matt to "rescue" Luisa.
When struggling, out of work actor Michael Dorsey secretly adopts a female alter ego – Dorothy Michaels – in order to land a part in a daytime drama, he unwittingly becomes a feminist icon and ends up in a romantic pickle.
A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.
David McVicar’s powerful Royal Opera House 2008 production of Strauss's opera – based on a play by Oscar Wilde – takes the controversial and disturbing film 120 Days of Sodom as its visual reference. The action is set in a debauched palace, which has suggestions of Nazi Germany. Strauss’s ravishing and voluptuous score adds to the sexual alchemy that is conjured by an international cast led by Nadja Michael in the title role.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
Gambler Nathan Detroit has few options for the location of his big craps game. Needing $1,000 to pay a garage owner to host the game, Nathan bets Sky Masterson that Sky cannot get virtuous Sarah Brown out on a date. Despite some resistance, Sky negotiates a date with her in exchange for bringing people into her mission. Meanwhile, Nathan's longtime fiancée, Adelaide, wants him to go legit and marry her.
In this abridged television production, Lear vows revenge against his conniving daughters after they try to take swift control of his power.
Miller’s daughter Zuzanka Vojířová, betrothed to Ondřej Zachar, hesitates before marriage when Lord Peter Vok of Rožmberk invites her to his castle. There she bears his son Petříček, but his wife hides the child. After Vok’s death in battle, Zuzanka is expelled and lives as a beggar, reunited with her son and former fiancé, finding solace in the continuation of the Rožmberk lineage.
Once upon a time, there was a kingdom where a spoiled and conceited princess lived. She didn't like frogs and other similar vermin, so she didn't like it very much when they suddenly started jumping on her from everywhere. In the local pond, there lived a waterman whose water machine for water lilies broke down. Instead of beautiful flowers, he produced croaking frogs. However, the waterman didn't like the princess's behavior at all and as punishment, he made her speechless. She can only be freed if she kisses the frog. So the prince and the young diver enter the story to put everything in order. Will the princess kiss the frog? And who will finally earn the improved princess as his wife?
On the first day at his new school, Cameron instantly falls for Bianca, the gorgeous girl of his dreams. The only problem is that Bianca is forbidden to date until her ill-tempered, completely un-dateable older sister Kat goes out, too. In an attempt to solve his problem, Cameron singles out the only guy who could possibly be a match for Kat: a mysterious bad boy with a nasty reputation of his own.
Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.
A man honeymooning with his new wife in the Rockies reports her disappearance to the police. A few days later, a woman escorted by the local priest claims to be his missing wife, despite the man's failure to recognize her. Is a stranger impersonating her or is he delusional?
A racist skinhead falls in love with a black woman.
Bernie and Joan are two fiery flirters who are passionate about everything from hookups to breakups and each other. When he sets up his best friend, Danny, with her roommate, Debbie, the sparks soon fly as they try to navigate the relationship minefields from the bar to the bedroom and are eventually put to the test in the real world.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
A television adaptation of the poetic play by Vítězslav Nezval. The love story of the knight de Grieux and the sinful saint Manon was staged for the television screen with an extraordinary sense of poetic value in 1970. Poetic salons with many mirrors, decorative candlesticks, flowing curtains.
Suzanne Ercoll, a young widow who believes in women's suffrage. When the handsome Foxcroft Grey proposes marriage, Suzanne isn't sure she wants to give up her freedom, so she strikes a deal: From Saturday to Monday they will be husband and wife, but the rest of the week, she is single.