Love, Jealousy and Revenge

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Although Eva is a good swimmer, she was unable to save her brother from almost drowning. He is in a coma, and the cold relationship with her mother doesn’t help Eva feeling any less guilty. Then she discovers a mysterious puddle in her bathroom that leads her into the depths of the sea

MS-DOS demoscene short film that showcases computer animation and music.

Windows demoscene short film that showcases computer animation and music.

A cosmic archaeologist journeys through space and time to capture evidence of a forgotten Earth.

In a gritty underworld, a young man with a broken brain is lured into an underground fight tournament, where he must win to save his brother.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.

Every winter, a magical snowman puts on a show for a little girl. But over time, life pulls them apart. Will she remember to take the time for what she loved?

in a post-Apocalyptic world, a man finds a robot.

Kalle accompanies her parents to IKEA and they leave him in the ball pit, despite his protests. Kalle experiences some scary things but also gets to know a nice little girl.

Two high school friends, Caleb and Macon, are reunited after many years. During the tense reunion, Macon fights his tortured mind, wrestling with a dark secret that is the source of Caleb's greatest pain.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.