Based on the Novel

A social work grad student’s film project on L.A. homelessness becomes something quite other when she and her friends encounter a man claiming to be from another time and place.

Screenwriter Chris meets producer Vlad Kowalski, who wants to finance a horror film to shoot in some of his dilapidated properties. When Vlad insists that Chris write a vampire film, Chris soon starts to believe that this producer may actually be a bloodsucking creature himself... Conflicts arise when Chris pitches an unexpected project...

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.

An original semi-autobiographical coming-of-age drama very loosely inspired by Max Hechtman's adolescence and college experience as a young filmmaker.

Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.

A small-time thug who collects debts for the local triad is torn between his criminal aspirations and his devotion to family.

Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

The life story of Colin McKenzie, a forgotten pioneer of international cinema who was born in rural New Zealand in 1888.

Toby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.

Filmmaker Kailee McGee’s world turns sideways with a late-stage breast cancer diagnosis. She’s in the middle of treatment but just beginning to reevaluate reality, love, and identity while being sick. Kailee loses track of where her cancer journey ends and her life begins. As the voice inside her head toggles between existential crisis and self-actualization, Kailee resorts to the only way she knows how to heal: figure out a way to watch a version of her journey unfold on a screen.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".

On location in Portugal, a film crew runs out of film while making their own version of Roger Corman's The Day the World Ended (1956). The producer is nowhere to be found and director Munro attempts to find him in hopes of being able to finish the film.

A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fair, which starts being plagued by strange, deadly accidents.

Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.

Two friends work together to follow their passion of filmmaking, but as their journey progresses, their friendship falls apart into a sloppy mess.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.