Art Blakey: The Jazz Messenger

Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...

Join drummer Martin Atkins and his industrial rock band Pigface for this document of their epic 2005 tour of the United States. Visits backstage and interviews with the band meld with the concert footage to create the ultimate Pigface experience. Witness rehearsals, life on the road, collaboration with Nocturne and Sheep on Drugs and the challenges of setting up and tearing down the stage as the band hits venues from New York to San Diego.

Sting : My Songs au château de Chambord

Rita Coolidge: On Stage at World Cafe Live

Vipal Monga's first feature-length documentary chronicles an unprecedented series of concerts performed in February 2005 by the legendary jazz composer Lawrence D. Butch Morris. The concerts were in celebration of the 20th anniversary of Conduction, Butch's revolutionary technique for live music-making. Butch put on 44 performances in 28 days with 85 musicians pulled from all across New York's musical community. Along with footage from these remarkable concerts that span a full range of musical styles from big band jazz to funk to electronic and symphonic works. The documentary features some of the leading lights of the New York creative-music community, including Henry Threadgill, JD Allen, Brandon Ross, Graham Haynes, Howard Mandel, and Greg Tate. Although the film provides unique insight into New York's vibrant avant-garde music scene,

29. Leverkusener Jazztage, 01. November 2008, Germany Tracklist: - Who Needs Love - Talkin Loud - Deep Waters - N.O.T. - When the Sun Comes Down - Colibri - Step Aside - Reach Out - Nights over Egypt - Don't You Worry 'Bout A Thing - Everyday - I Hear Your Name - Always There

Joe Zawinul & Trilok Gurtu duo amazes everyone! The 25th Frankfurt Jazz Festival in 1994 hosted this superhero duo.

Nina Simone in concert at the International Jazz Festival City of Pompeii in 1983

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

Made on a wind-up Bolex camera, The Sound of Seeing announced the arrival of 21-year-old filmmaker Tony Williams. Based around a painter and a composer wandering the city (and beyond), the film meshes music and imagery to show the duo taking inspiration from their surroundings.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

The concert held at the ZDF JazzClub in Stuttgart in 1988 was played by Oscar Peterson together with the drummer Kenny Drew and the double bass player Dave Young. Their collaboration had begun in 1974. For Drew, who was British, it lasted until 2004, while the Canadian Young was a regular member of Peterson's trio for 25 years. Jazz classics, including a medley with five compositions from Duke Ellington's repertoire, form the core of the concert.

A drumming enthusiast fox lives in an apartment building full of grumpy humans. He shows them the joy of music and collaboration.

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

It is about a music school in Philadelphia, The Paul Green School of Rock Music, run by Paul Green that teaches kids ages 9 to 17 how to play rock music and be rock stars. Paul Green teaches his students how to play music such as Black Sabbath and Frank Zappa better than anyone expects them to by using a unique style of teaching that includes getting very angry and acting childish.

Jutta Hipp defied the odds and made it to the heart of the male-dominated jazz scene in 1950s New York.

A live recording of a jazz concert dedicated to the memory of Karel Růžička, who was the teacher of pianist and composer Tomáš Sýkora. Together with his trio and the Czech Radio Symphony Orchestra, Sýkora will perform Růžička's famous composition "Lovebird," which was originally written for a chamber ensemble and jazz quartet. Sýkora has also enriched it with a new arrangement. The concert will also feature Sýkora's five-movement suite "Hidden Songs" and the extensive suite "Grace and Gratitude," which was based on compositions by Růžička's son, saxophonist and composer K. Růžička Jr. The compositional inventiveness of both Růžičkas and T. Sýkora complements Sýkora's art of sensitive and effective orchestration perfectly in both compositions.

Saxophone player Charlie ‘Bird’ Parker comes to New York in 1940 and is quickly noticed for his remarkable way of playing. He becomes a drug addict but his loving wife Chan tries to help him.

A Song For My Father is a six-minute poetic documentary that examines grief and the complicated relationship we develop with the things that once connected us to the people we’ve lost. After the sudden death of their musician father, filmmaker Shona Buschlen and her younger brother Eddie, a jazz trumpet player, return to a performance space where their father once played. In the early stages of grief, music becomes difficult to hear, no longer comforting but a reminder of absence. Over time, these feelings begin to shift. Through archival recordings of their father’s bass and live trumpet improvisations by Eddie, the film creates a call and answer across time, tracing how sound becomes a way to sit with grief rather than escape it. Blending voiceover, childhood footage, and sound-driven editing, A Song For My Father explores grief not as something to be resolved, but as something lived with, where healing comes from allowing yourself to feel.

Django Reinhardt, trois doigts de génie