Philippe Soupault et le surréalisme

The Wild Defending Itself is a feature-length documentary (90 min) by Vincent Verzat, produced by Partager c'est Sympa. The film traces his path between militancy and naturalism, his search for a balance between combat and contemplation. Based on a personal and sensitive story, the film makes the link between wild animals and the struggles being waged throughout France against the destruction of their habitats. The Wild Defending Itself sets out a path for living with dignity and preparing for what lies ahead.

Planet Killers : Le cartel du tigre

Elle entend pas la moto

"Maison"

MAMAN J'AI RATÉ LA PROMO - James Loup

Les Jours Inespérés

Les oiseaux de l'Est

La meilleure façon, c'est par accident

Böhse Onkelz - Böhse für's Leben - Die Dokumentation

Ouroboros

Against the odds

Charles Matton visiblement

Lapin hyper lent

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A film describing the political history of Dubrovnik and the history of its architecture, painting, literature and science until the end of Republic of Ragusa.

The Beauty of the Adriatic was created as a promotional tourist film, but through its unusual and even bizarre formal devices it overcomes the promotional function. The narrator of the film is constantly communicating with the viewer, exclaims and inserts jokes, and we also see him in the film as a guide entertaining us with various gestures and movements. In the film there are also interspersed humorous animated scenes, an interview with Hamlet, poetic sequences and stylized scenes such as one where the camera is "looking for" the lost guide.

Zvonimir Berković decided to present the Dubrovnik Summer Festival on film in an imaginative manner. He set scenes from the most popular plays of the Festival across various locations in Dubrovnik, so Pero Kvrgić acts Negromant's monologue from "Dundo Maroje" while interacting with vendors on the local marketplace, and in the dreamy atmosphere of Lokrum forest fairies are performing a scene from Držić's "Grižula".

The intellectual and the sensual are combined in this essay presentation of the work of the painter Ivo Vojvodić from Dubrovnik. Through the presentation of three frequent motifs of Vojvodić's painting - the sea, reefs and letters - Berković touches upon the emigratory fate of Vojvodić's family in desire for a home and the Ragusan ideal of freedom.