Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.

The director’s mother, Mirka Mora, avoided Auschwitz by one day. On his father’s side many perished in the Holocaust. These facts triggered three visits to Auschwitz by Mora from 2010 to 2014 in an effort to understand and remember.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

Oprah and Night author Elie Wiesel travel to the Auschwitz death camp in Poland. See the Holocaust through the eyes of a survivor.

About Jonas Falk and his stepfather Anders Frid who are both tired of living in poor conditions. They jointly committed a robbery against a post office. The robbery is successful in the sense that they came across a large sum of money, but the fact that Jonas shoots the postilion to death during the robbery turns out to have fatal consequences.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

An exploration into the motives and histories of individuals, including herself, who have exited the world of violent extremism.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

Adventurer and journalist Simon Reeve heads to Vietnam to uncover the stories behind the nation's morning pick-me-up. While we drink millions of cups of the stuff each week, how many of us know where our coffee actually comes from?

The true story of the massacre of a small Czech village by the Nazis is retold as if it happened in Wales.

In Italy, in the mid-seventies, Adriana, Barbara, Nadia and Susanna were 20 years old when they decided to join the armed struggle and leave behind their social life and their families in order to make the revolution the center and the aim of their existence. Today they have returned after many years in prison, and they try, each one of them, to recount their own experiences. They speak about the political reasons which initially sustained them, the conflicts, the doubts, and the moments of being torn apart which market out their lives as women caught up in the vortex of war. A course of events which ended in the condemnation of the armed struggle and the pain of the lives that were destroyed – their victims’ lives and their own.

On June 3, 1973, a man was murdered in a busy intersection of San Francisco’s Chinatown as part of an ongoing gang war. Chol Soo Lee, a 20-year-old Korean immigrant who had previous run-ins with the law, was arrested and convicted based on flimsy evidence and the eyewitness accounts of white tourists who couldn’t distinguish between Asian features. Sentenced to life in prison, Chol Soo Lee would spend years fighting to survive behind bars before journalist K.W. Lee took an interest in his case. The intrepid reporter’s investigation would galvanize a first-of-its-kind pan-Asian American grassroots movement to fight for Chol Soo Lee’s freedom, ultimately inspiring a new generation of social justice activists.

Documentary about the magnitude and severity of domestic violence. This film features four women imprisoned for killing their batterers and their terrifying personal testimonies. It won an Oscar at the 66th Academy Awards in 1994 for Documentary Short Subject.

A compelling look at the choices that lead to incarceration and the reality of being locked up in Pelican Bay State Prison.

Documentary about four maffia-like friends based in Amsterdam.

Historias de la Teleprisión

With unprecedented access, this documentary looks into the hidden world of one of Russia's most impenetrable and remote institutions - a maximum security prison exclusively for murderers. Deep inside the land of the gulags, this is the end of the line for some of Russia's most dangerous criminals - 260 men who have collectively killed nearly 800 people. The film delves deep into the mind and soul of some of these prisoners. In brutally frank and uncensored interviews the inmates speak of their crimes, life and death, redemption and remorselessness, insanity and hope. The film tracks them though their unrelenting days over several months, lifting the veil on one of Russia's most secretive subcultures to reveal what happens when a man is locked up in a tiny cell for 23 hours every day, for life. A startling insight into inscrutable minds and the forbidding world they have been condemned to. (Storyville)

This documentary, which features Sergei Parajanov’s heartbreaking letters from prison, explores creativity among inmates and the art born in conditions designed to destroy all traces of selfhood.

Over the past 18 months, journalist Thilo Mischke has conducted research for ProSieben within right-wing networks and met supporters of various right-wing and right-wing extremist groups. In the "ProSieben Special: Right. German. Radical." he pursues the question: "Is our liberal democratic basic order in danger?

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).