Aunt Jane’s Legacy

Persuaded by a letter from her Aunt Agnes in America, Kitty McCarthy ( Olive Thomas ) travels from Ireland to New York City, there she meets Gordon Davis, a successful playwright, who directs her to her aunt's address on the East Side. Kitty soon discovers her aunt living in a tenement, a confirmed alcoholic. Through her niece's care, Agnes is cured, and one day Davis appears and offers Kitty a part in a comedy that he has written. She accepts, and once backstage meets Vera Maxwell, the victim of an unhappy affair with Oscar Savoy. Kitty brings the lovelorn couple back together but is unsuccessful in arranging her own romance with Davis' nephew Roger until Davis finally intervenes, and a happy ending prevails for all.

Cigar counter girl Tessie tips off her mechanic boyfriend that a wealthy women is going to buy a car, and he leaves Tessie for Mrs. Welles.

Sally McGill, a little Irish girl, brought up in a particularly sordid section, is compelled to work to support her entire family. Ben Blaney, the young foreman where she works, loves little Sally. Mrs. Rockwell, wealthy and childless, finds joy in taking a limited number of the poorest children to her country home each summer, and she selects those whom she will take. Sally's ambition is to become a refined lady like those about her, and she is attracted to Paul Taylor, but knows she is inferior to him.

A clairvoyant warns divorcée Adrienne Van Couver to beware of Robert Warren, whom she has spurned. The warning comes true after Adrienne's ex-husband, John Dean, meets Warren, an old friend, and tells him the story of his marriage to Adrienne. He tells how her frivolity and malice caused both the death of their only child, and after their divorce John’s romance with Lorraine Barkley who left him for lawyer Henry Armstrong. Enraged by Adrienne's treachery, Warren goes to her apartment and kills her. Dean arrives after Warren has fled and is arrested for the murder. Believing that Dean is innocent, Lorraine persuades Armstrong to defend him. After a last-minute confession by John is cleared.

Feature version of the 1941 American serial film of the same name, made for export only, never shown in the USA in any medium, and evidently a lost film.

Feature version of the 1945 American serial film of the same name, composed for export only, never seen in the USA and now evidently a long-lost film.

Feature version of the 1942 American serial film of the same title, prepared for the export market, never seen in any media format in the United States, and apparently a lost film.

Probably the first Indian film directed by a woman. It was a big-budget fantasy abounding with special effects set in a Parastan or fairyland.

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Debutante Hope Merrill returns home one day to find her financier father Amos Merrill on the verge of committing suicide. Rather than reveal the truth -- that he has misappropriated funds from his own company -- Merrill claims that he has been ruined by young John Cook, Hope's sweetheart.

A western settlement of pioneer descendants is threatened with the loss of its water supply through the encroachments of nearby townspeople.

Lebenswogen

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

American newspaper reporter Jim Crocker's madcap escapades in London earn him notoriety and the nickname "Piccadilly Jim." When he overhears his American cousin by marriage, Ann Chester, giving her candid opinion of him, he decides to return to America to try to reform. He meets Ann on the boat, using another name. Unable to find work in New York, he goes to his step aunt Mrs. Peter Pett's home to be near Ann. Jim then helps Ann kidnap pampered cousin Ogden Pett whose overindulgence has created disruption in the household.

Cult director Charles Band brings you this "Last Tango in Paris" spoof with editing by acclaimed filmmaker John Carpenter.

Based on a the horror novella of the same name. First Russian horror film.

A lost film. As described in a film magazine Exhibitors Herald on March 16, 1918: "a forest ranger known only as Headin' South (Fairbanks) goes forth in search of Spanish Joe (Campeau), a Mexican responsible for most of the treachery and outlawry along the U.S.-Mexican boarder. Headin' South gains quite a reputation as he goes along and finally believes himself worthy of joining Joe's band. in a whirlwind finish in which Joe is captured, Headin' South meets one of Joe's near victims (MacDonald) and falls in love with her."

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.

A retelling of Mormon history from Joseph Smith's birth to the pioneer's settlement in the Salt Lake Valley.