When Dr. Quackell Did Hide

Goldwyn produced a 1923 film adaptation of Potash and Perlmutter, and a 1924 sequel called In Hollywood with Potash and Perlmutter. In Partners Again the two are in the automobile industry -- This is a lost Film.

A comedy short about a man trying to get a new hat.

A pawn shop employee must substitute for a robot in this short silent comedy.

Paul and Suzanne Giraud are happily married and living in a quiet neighborhood. When Suzanne notices that their new neighbors are expressive dancers in revealing outfits, she demands Paul speak to them about their lack of morality. Paul discovers that the woman is Georgette Lalle, an old flame.

Neil McRae, an impoverished composer, loves Cynthia Mason, but, fearing poverty, proposes to wealthy Gladys Cady. Can he compose himself and find the courage to seek love over comfort?

A sequel of sorts, the Jewish ethnic comedy characters of Potash and Perlmutter return from their 1923 debut film, also produced by Goldwyn, but with a different actor for Potash.

An auto racer driving through a small town finds himself tangled up in a local political controversy, an election and a mystery that surrounds a supposedly "haunted" car that speeds through town with no driver and disappears before anyone can catch it.

Filmic insert to Eisenstein's modernized, free adaptation of Ostrovskiy's 19th-century Russian stage play, "The Wise Man" ("Na vsyakogo mudretsa dovolno prostoty"). The anti-hero Glumov tries to escape exposure in the midst of acrobatics, derring-do, and farcical clowning. Several members of Eisenstein's troupe at the legendary "Proletkult" stage theatre in Moscow briefly appear in this little film.

A farm girl learns she is a princess and is swept away by a tornado to the land of Oz.

A night watchman on the Eiffel Tower wakes up to find the entire population of the city frozen in place.

Papa Gimplewart, father to three children is unimpressed by the young lawyer who wants to marry his daughter.

A European immigrant endures a challenging voyage only to get into trouble as soon as he arrives in New York.

A young woman borrows money from her boss for her wedding dress. After the marriage he asks to be repaid, and she--not liking to ask her husband for money--writes a check on her husband's account. When he discovers that his wife has written a check to another man and not told him, complications ensue.

The boys sneak out for a night on the town, unaware that Stan's wife has switched her grocery coupons for Stan's secret stash of mad money. The boys run up a huge tab treating a couple of girls to dinner at a snazzy nightclub and much trouble ensues.

The misadventures of an effete young man who must get married in order to inherit a fortune. He opts to purchase a remarkably lifelike doll and marry it instead, not realizing that the doll is actually the puppet-maker’s flesh-and-blood daughter in disguise.

An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.

Gold digging blonde Lorelei and her brunette friend Dorothy are searching for rich husbands. This film is believed lost.

Coke Ennyday, the scientific detective, divides his time into periods of "Sleep", "Eat", "Dope" and "Drinks". In fact, he overcomes every situation with drugs: consuming cocaine to increase his energy or injecting it in his opponents to incapacitate them. To help the police, he tracks down a contraband of opium (which he eagerly tastes) transported within "leaping fishes", saving a "fish-blower" girl from blackmail along the way.

When Pat and Patachon arrive in the small fishing village at the North Sea they are completely unaware of the adventure that lies ahead. The two eccentric travelers quickly become good friends with old Maren and her son Tom, who will soon need their help in more than one respect. (stumfilm.dk)

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.