Auton 3: Awakening

Die Überflüssigen

Teatro de las Bestias

A girl living alone in a post apocalyptic wasteland finds herself hunted down by marauders who want her to fight in their fighting pit for their entertainment.

Swollen Stigma nourishes the fantasy of its protagonist’s inner life and proposes a lesbian imaginary which takes leap into risk and displacement. The film opens with an entranced seated woman working her fingers through a single strand of hair and proceeds to explore her lived imaginary in which desire and fear interlace. She re-visions different moments in time which are haunted by an absent lover. Like a playful fairy princess, this lover appears upside down in an armchair, hanging legs-down from the ceiling, playing dead on the floor, or eating roses; her body continuously permeates the woman’s reality. The film’s shifting points of view jump between the protagonist, fantasy spaces and her lover, making an internal world leak into what is external with the fluidity of blood into water.

Ritualised through performance to camera, Stages of Mourning is Pucill’s journey of bereavement. In as much as this is a meditation on coming to terms with loss, the film is an exploration of how our relationship with the dead is made different through film. The artist orders image fragments of her late lover and collaborator, Sandra Lahire. By trying to physically immerse herself into photographs and film footage or by restaging these, Pucill forms a continuous stream of a life of two lovers. Through this doubling and layering, illusions accumulate as if these were a product of a machine that didn’t stop.

Gabriel Goode is the Limb Salesman, a disgraced doctor who regenerates limbs on the black market. When Goode travels to the water mining regions of the north to heal the cherished daughter of a wealthy water miner, dark family secrets are revealed, and Goode is forced to make the ultimate sacrifice. A story of forbidden love in a dystopian future.

An alcoholic private detective faces her biggest challenge yet when a married couple hires her to find their missing daughter. While investigating her disappearance, she'll remember her own story, her mother and the reasons on why she left her family home.

A huge wave is about to destroy the city. Many people leave in panic, only a few remain in the lonely streets. Among them are SEBASTIAN, a skeptical and irresolute young loner; ANA, a woman who seeks in others the passion she can’t live; and an apocalyptic GIRL. They turn the city into a games board where the stakes are love and the end of the world.

100 years from now when humans are forced underground by an ecological disaster and living in bunkers throughout the world. Newborns are prized, middle-aged people are good for labor and the elderly are harvested. When a woman has an unplanned pregnancy, her mother is now in jeopardy and she must figure out how to help her mother escape before the harvesters come to collect her organs…

It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.

MT RUSH - is the present as a near-future science fiction, chronicling the day-to-day activities of a lesbian Mt. Rushmore Park Ranger as she navigates an onslaught of interactive fundraising emails that appear on a transparent interface, leading up to the 2016 Presidential election. The narrative arc of the movie is based on the urgent, alarmist, and oddly personalized campaign and fundraising emails from the Democrats and Republicans (i.e. Hillary Has Been Emailing You… or WE QUIT: but we don’t want to quit). Serving as both narrator and foil to the ranger, the emails perform the pervasive political rhetoric in today’s systems of governance; while acting as a meditation on the National Park Service and politics.

Laura is a lawyer, she’s beautiful and has a nice boyfriend. But 15 years ago she was fat, bullied and without friends. Now she has come to terms with her bulimia. She is celebrating her first year abstinence.

Planet Earth in 2040. Two timelines co-existing simultaneously. Dystopia and Utopia.

When a historian living in the year 2592 time-travels to 2015, she navigates the societal woes that she's read about in history books.

In Los Angeles, a gang of bank robbers who call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. Believing that the members of the gang could be surfers, the F.B.I. sends young agent Johnny Utah to the beach undercover to mix with the surfers and gather information.

Young Natty is an aspiring writer who works at a video store. As he writes in his time between customers, his hero/nemesis comes to life before him living out the stories that he has created.

Elation in Neustadt: by the means of a little witching, Bibi Blocksberg saved two kids from burning to death. While her mother Barbara, a witch of flesh and blood herself, is very proud of her daughter, father Bernhard, overworked and stressed, disapproves greatly of her supernatural antics. Then Bibi gets a message from Walpurgia, the senior witch: she is going to receive her crystel ball, that will make a "real" witch of her, early. Proudly, Bibi jumps up her broom to fly to the Blocksberg, the witches' headquarters. But Rabia, one of the few evil witches, aging in misery and with a secret, begrudges her all the glory...and her youth. And so Rabia sets off events that will soon make Bibi's life fall into pieces.

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

A seductive teen befriends an introverted high school student and schemes her way into the lives of her wealthy family.

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.