Janice Beard 45 WPM

Juliette is a young woman who has grown up on a farm that is now under economic siege. In order to save her farm and her family, Juliette is forced into a marriage of convenience with Marcel , a morose and laconic railway worker whom she does not even know. Now that her own life is permanently changed, her sacrifice does not ultimately help her family and with that sorrow added to her lonely existence, she is trapped into remaining married because of social pressures and soon enough, the birth of a child. There must surely be a way out for her at some point, but when and how that will happen seems completely up to fate alone.

Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.

When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.

Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.

A young boy grapples with first love and his ambitions as a drummer during an eventful summer holiday.

A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.

Sam and Gray are such a well-matched pair that it is difficult to believe they are brother and sister rather than husband and wife. They both share a love of 1940s movies and dancing, and when they meet Charlie, they have something else in common: They both fall in love with her. Sam must deal with unexpected feelings of jealousy, while Gray struggles to come to terms with her sexual orientation.

A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.

Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big question to Jørgen. Jørgen happily accepts Jacobs marriage proposal, but then something happens: Jacob falls in love with a girl, and not just any girl. The girl is Caroline, married to Jørgens younger brother Tom.

Martin, a young blind photographer, is divided between his friendship with restaurant worker Andy and the exclusive love that Celia—who is terribly jealous of this new friendship—has for him.

Fantasy drama Rachel's Dream was set sometime in the future when the world is besieged by technology, young Rachel discovers that through a large bank of video screens in her sister's apartment, her wishes can come true when she brings to life the image on an anti-pollution poster. This new friend helps her to make up her mind about her own future.

Treating the problem of anorexia nervosa from the parents' perspective, Rosler presents a mother and father speaking about the tragedy of their daughter's death as a result of dieting. The conversation turns toward the irony of self-starvation in a land of plenty and toward the international politics of food, where food aid is used as a negotiating tool. Confronting a serious issue, Rosler simultaneously sets into play the confessional form and the ghoulish staginess of talk show dramatics.

In an inquiry into the relation between the corporation, the state and the family, Domination and the Everyday presents a fractured barrage of simultaneous sound tracks, film stills and a crawling text. Questioning the privatized existence of a woman and child, and the role of media information in daily life, this non-narrative tape is structured around the sounds of a woman feeding her small son and readying him for bed, while a radio interview with an art dealer plays in the background. Photographs of family life and corporate ads are juxtaposed with a written text that crawls across the screen, comparing life in Chile with life in the United States. Rosler refers to this layered juxtaposition of fragmented sound, images and text as an "artist-mother's This Is Your Life."

Secrets From the Street examines the intersection of cultures and classes as exemplified by the street life of San Francisco's Mission District. This videotape, produced for an exhibition held jointly at San Francisco's City Hall and its Museum of Modern Art, argues — against the show's theme and title, Public Disclosure: Secrets from the Street — that accounts of cultural life that omit the question of social power are mythical: The real "secret" is the obscured relation of economic and political domination exercised by one's own culture over the observed subculture. Or, as Rosler states in the tape's voiceover, "The secret is that to know the meaning of a culture you must know the limits of meaning of your own."

In this live performance for Paper Tiger Television's public-access cable program in New York, Rosler deconstructs the messages in Vogue and its advertising. Rosler looks at the institutional slants of the magazine industry and the fashion industry's reliance on sweatshops.

A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.

The tiny village in the far north of Sweden called Ensamheten (Solitude) has sixteen inhabitants. They all share an unusual passion - armwrestling.

Jack and Jill's Manifesto of Rules to Live By Rule 1 Be honest Rule 2 Believe in fairy tales Rule 3 Accept time as our friend Rule 4 Make sure the nooky is good Rule 5 Promote beauty. Wage a sustained campaign against ugliness Rule 6 Abandon the pursuit of happiness and its false promise Rule 7 Show compassion, except to pirates Rule 8 Less TV Rule 9 Always be willing to admit when you're wrong

Danny wants two things in life more than anything else, one is a Jaguar and the other is Joanna Johnson. After he is conned into trading his Nissan Cedric for a 1973 Jaguar, he plots to win Joanna and get revenge against the sleazy car dealer Gordon Farkes.

Jennifer Tilly plays a woman who's told by her psychic that the man of her dreams is a doctor named Steve.