The second collection of this hot boys shorts series takes us deep into hidden psyches, revelations of long-held secrets, to boys boarding school for the birth of a love affair, inside an explosive internet encounter, and at the center of a teen party where infatuations quickly turn lives upside down. Includes: Beyond Plain Sight (2014); Like Father (2017); Lost Years (2016); Salt [Sal.] (2016); Sign (2016); Turn It Around (2017).
Freshman Neil's Vanguard stories are all he cares about...until he meets the older Julia, who pushes him to put his own fan fic online. When the website's moderator takes a special interest in Neil's work, it opens up a whole new universe.
The relationship of a married couple takes an unexpected turn when the husband's boss gets the idea that their ad campaigns need spicing up with eroticism, and chooses his employee's wife as his assistant.
Written and directed by Sergio Pastore in 1969. Il diario proibito di Fanny is an anthology film starring Giovanna Lenzi as four different women, all named Fanny. The film touches upon all the hot-button issues of 1968: illegal immigrants from the Eastern bloc, the Prague Spring, the Italian star cult and even abortion.
This is one of the most lavishly produced erotic gay videos ever made. Featuring eight of Britain's sexiest guys, "Better Gay Sex" illustrates the beauty, passion and sensuality of man on man sex. Experience the spectrum of gay sex as out gorgeous guys take you through the best their bodies (and yours) have to offer. Amazing sex is all about having the most wonderful mind blowing fun. Sex gives you a more confident outlook on the whole of you life. This video won't just turn you on with its explicit red hot imagery, it'll show you how to really enjoy one of the most important aspects of your life — SEX!!!
Sixteen naked women have their pictures taken for $10,000.
A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.
Julia is the ultimate evil stepmother, beautiful and devious. She dupes her noble born step daughter Nora into a journey that ends with her being kidnapped and sold to Julia's beautiful cousin Anthea. Nora finds her privileged life of nobility over as she wakes up to the nightmare of slave tears of Rome.
As a poster boy for hedonism, his whole life was one big party. A journalist, filmmaker, director, producer, actor, novelist, ladies' man and prolific father... Roger Vladimir Plémiannikov, a.k.a. Roger Vadim, tried everything until his death in 2000. Portrait of a man at the cutting edge of fashion and trends.
In order to correct inaccuracies that appeared after her tragic experience in New York, fashion designer Madame Fisher tells her life story to a journalist. A life made of terrible loss, love, debauchery and rise in the world of fashion.
Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.
Siv works as a prompter for the Norwegian opera. As the rehearsals for Aida starts, she marries a demanding man, Fred, who still has a strong connection to his ex-wife. Starting at her wedding, Siv must repeatedly take a back seat, both to Freds children and their mother. But when she meets a man who shares her passion for music, she starts to question the path her life has taken.
A man uses a case of mistaken identity to gain the confidence of a small village, and in the process exposes universal human traits: honour, greed, honesty, and eventually love.
This documentary traces the dramatically different ways in which Jesus has been represented in art throughout history and around the world. Narrated by Mel Gibson, Ricardo Montalban, Bill Moyers, Edward Herrmann, Patricia Neal and others, the program utilizes the latest digital technology and motion control photography to reconstruct and relocate works into their original locations. Amazing digital morphing sequences dramatically illustrate how the image of Jesus has changed over time while unique special effects virtually reconstruct art that has been destroyed or lost forever. A sweeping and visually riveting lesson in art history, The Face: Jesus In Art is a documentary of stunning beauty and unprecedented innovation.
There are endless gruesome ways that the world could end; through nasty, natural disasters or because of some man-made abomination. From maniac killer robots and super volcanoes, to an alien invasion and mutant psycho humans, all options are covered in Ten Ways the World Will End.
It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?
Various actors, presenters, directors and other staff who have worked at the iconic BBC Television Centre at Shepherd's Bush in London reminisce about their time there.
Four interwoven stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)