Five new stories of grueling horror: A Christmas Haunting, Zombie Office, Undone, Unchangeable and The Psychomanteum - ghosts, zombies and bloody revenge.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
D Company is a 2013 Indian Malayalam action portmanteau film. It is an anthology of three independently shot action films directed by M. Padmakumar, Vinod Vijayan and Diphan. Its cast includes Jayasurya, Anoop Menon, Unni Mukundan, Fahad Fazil and Asif Ali. The film is produced by Vinod Vijayan, Seven Arts Mohan and Faisal Latheef under the banner of D Cutz Film Company. (From Wikipedia)
As the streets of Los Angeles overflow with camera-wielding gawkers seeking to capture images of a bizarre police pursuit, the same people who sought to exploit the suffering of others for amusement on the Internet become the stars of a gruesome viral video from which no one gets out alive.
Three short stories linked by a stray cat that roams from one tale to the next, in this creepy triptych that begins as Dick tries to quit smoking by any means necessary. Next, we meet Johnny, an adulterous man who's forced by his lover's husband onto a building's hazardous ledge. Finally, Amanda is threatened by an evil gnome who throws suspicion on the family cat.
This omnibus release consists of three playlets filmed and aired during television's Golden Age, and starring some of the legends of film and television. The collection originally ran as a two-hour segment on December 14, 1959, on the anthology series The Play of the Week, broadcast locally in New York City via the independent radio station WNTA. Each "tale" in the anthology was adapted from a single tale by the inimitable Sholom Aleichem, regarded by many as the "Yiddish Mark Twain". Included are: "A Tale of Chelm" starring Zero Mostel and Nancy Walker in the story of a bookseller attempting to buy a goat; "Bontche Schweig" about a poor man (Jack Gilford) whose recent arrival in Heaven makes the angels cry; and "The High School" about a Jewish merchant (Morris Carnovsky) persuaded by his wife (Gertrude Berg) to let their son attend a particular high school despite the enforcement of quotas for Jewish students.
New York, I Love You delves into the intimate lives of New Yorkers as they grapple with, delight in and search for love. Journey from the Diamond District in the heart of Manhattan, through Chinatown and the Upper East Side, towards the Village, into Tribeca, and Brooklyn as lovers of all ages try to find romance in the Big Apple.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
Contains three stories. In "Car Trouble," two hapless motorists who go to the wrong house for help and end up the prisoners of a psychotic killer! In "Secret Agent Murders," two agents learn a deadly secret about their boss and are targeted for murder. In "George's Daydreams," George plans to murder three women after they humiliate him at a bar.
Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.
A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.
A horror anthology featuring the tales, "The Bully," "Curiosity Kills," "Majority rules," "The Bridge," and a wrap-around.
Although Tom Leezak and Sarah McNerney come from different worlds, they are both unexpectedly swept off their feet after their first meeting. They quickly fall in love and plan to get married, despite opposition from Sarah's uptight, rich family. After their wedding, the happy couple sets off - with the highest of hopes and ideals about love and marriage - on what they expect will be the perfect honeymoon in Italy. Thanks to a relentless string of bad luck with one disaster after another, and an impromptu visit from Sarah's wealthy one-time ex-lover Peter Prentiss, the newlyweds experience the honeymoon from hell that tests the limits of their young love. Is it worth throwing away their love and marriage?
Thirteenth installment of the Tokyo Videos of Horror collection.
A cold-blooded estate agent leads a desperate young couple through a dilapidated property, fully aware they'll do anything to secure it. But the real question is: just how far are they willing to go to secure this place to call home? House Hunters is a darkly comedic & snappy 10 minute short, that imagines the absurd extremes of a housing market way past crisis point.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
A journalist could marry the daughter of a tycoon, but prefers a relationship with a married woman. An attorney renounces her lover by greed. A soldier tries to approach a widow on a train. A German couple looking for adventure mistakingly aim for the wrong target, yet find love.
Three supernatural tales of horror after dark. A motorcycle leader comes back for vengeance. A ghostly haunting at an all-girls school. A shop for the dead to return.
The third instalment in the "Trash Arts Killers" series, once again delivering more short bursts of shocks and scares from U.K. genre minds.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.