Simião Martiniano, o Camelô do Cinema

Metalanguage and irony about what makes a film, film.

Documentary about Waldemar Iglésias, a man living in Sorocaba, Brazil, who has been to the movies on a daily basis for 58 years. He talks about his childhood, his dreams, his favorite actors and actresses and the classic movies and cartoons.

In this short, Willer’s poetic images and his voice dress the streets, the skies, the avenues. Here is Willer, the great poet and living legend of the sixties generation, in front of the camera, letting us into his universe, which Priscyla Bettim & Renato Coelho approach as a poetic encounter, in which experimental cinema becomes a powerful catalyst for his poetry. From an erotic and personal approach, the filmmakers give substance to what Willer states...or perhaps it’s the reverse: it is the images that coexist freely with the sound field of words and music.

A Redação

A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.

A filming exercise becomes a memory of young Nico's crush and fall for his classmate, Iris.

A young man recounts his casual yet distant relationship with his father and how it has shaped him to be a man.

tricot movie june

A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.

Siblings Amaia and Aitor are about to turn fifty. They have no children. From a very young age they have lived apart from their parents, Kontxi and Iñaki, now retired. One summer they all meet up on the cruise ship 'Fantasía'. On the high seas time seems to have stopped, but beyond the horizon reality continues to forge its way ahead tirelessly.

Krasnodar's debut in the Champions League in 2020. Emotional doc film about the brightest season in the history of the club.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Musamoni Panigrahi (1920s–2017), fondly called “Nani Ma” by her neighbours, appears in the centre of this first film in the Baleswari dialect of India's Odia language. The story revolves around folklore and folk songs narrated by Nani Ma. Born in the 1920s in pre-independent rural India in a coastal village in the Balasore district of Odisha, she never got to go beyond the first few days of school. The film is an alternate history of a society broken through colonization, Brahminical patriarchy and a post-famine (Orissa famine of 1866, killing nearly 5 million people, one-third of the population), and the dominance of formal writing over spoken tongues. Three academics -- Damayanti Beshra, PhD (recipient of India’s fourth civilian award, “Padma Shri”), Panchanan Mohanty, PhD (noted linguist), and Laxmikanta Tripathy, PhD, DLitt (anthropologist and author) -- also appear in the film to provide contextual commentary on patriarchy, oral history and the sociolinguistic diversity.

Tant qu'il pleut en Amérique

Trottoirs de Paris

Le Dos au mur

Contemporary artist Miquel Barceló creates his daring, organic works live on site, a process captured as he prepares an exhibition in Paris.

Drôle d'oiseau