Mike Oldfield: Tubular Bells III

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

On March 15, 2007, Eric Clapton's world tour stopped at San Diego's iPayOne Center (originally the San Diego Sports Arena and now the Valley View Casino Center). The band lineup for the tour continues to be a firm fan-favorite, with Derek Trucks and Doyle Bramhall II on guitars, Chris Stainton and Tim Carmon on keyboards, Willie Weeks on bass, Steve Jordan on drums and backing vocalists Michelle John and Sharon White During the set, EC's long-time musical inspiration, JJ Cale, sat in for five songs, including three from their Grammy-Award winning album, The Road To Escondido, released in 2006.

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.

In the spring of 2016, global music sensation Major Lazer performed a free concert in Havana, Cuba—an unprecedented show that drew an audience of almost half a million. This concert documentary evolves into an exploration of youth culture in a country on the precipice of change.

A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.

Plot unknown. Described as an animated project featuring the music group The Spice Girls as super heroes.

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me The Horizon. It was recorded on 22 April 2016 at thr Royal Albert Hall, with accompaniment from the Parallax Orchestra.

Performing amidst the Civil War era brickwork of Pioneer Works, a former Brooklyn ironworks warehouse now serving as a cultural arts space, Justin Vernon uses the power of music for soul searching and introspection.

In Ireland in the mid 1960s, two feuding brothers and their respective Ceilidh bands compete at a music festival.

Almost a decade since larger-than-life glam-rock enigma Brian Slade disappeared from public eye, an investigative journalist is on assignment to uncover the truth behind his former idol.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

Recorded during a series of concerts at The Hague in early May 1991, this show is from 10 May and served as a benefit gig for Kurd Aid. It isn't a full length performance of course, but still remains interesting. Several of the performances were released as live b-sides on 'Ten Summoner's Tales' era singles. Perhaps of most interest is the live version of Hendrix's 'Purple Haze', a rip-roaring crowd favourite from that tour.

In the early 1900s, the fictional Catfish Row section of Charleston, South Carolina serves as home to a black fishing community. Crippled beggar Porgy, who travels about in a goat-drawn cart, loves the drug-addicted Bess, who lives with stevedore Crown, the local bully.