A Little Family Conversation

A bissele Glik

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

An upbeat, witty, and timely exploration of a global community of artists creating innovative work in their quest to rediscover and revitalise the endangered Yiddish language. From behind-the-scenes with an acclaimed Yiddish-language version of Yentl in Melbourne, to enjoyably transgressive punk-Klezmer musicians, and Barrie Kosky’s latest trailblazing production in Berlin – the endangered Yiddish language is alive and well in this rousing documentary. The language originated amongst the Jewish community in Eastern Europe, but almost disappeared when more than half of the world’s Yiddish speakers were murdered during the Holocaust. Most of the artists and performers (aka Yiddishists) in the film didn’t grow up speaking Yiddish, but all have found solace, identity, and inspiration in its rich traditions and culture. Ros Horin has mapped a fascinating cultural history.

Elliott Gould narrates this affectionate look at life in the shtetls of Eastern Europe in the 19th and early 20th centuries. "It's unreal that all this could have just disappeared," says Polish native Mariem Adler Stok, one of the seniors whose memories of this "Yiddish world" give this documentary its life. The hour traces Jewish history in Europe and explores Jews' focus on education, their religious customs, clothing, food, music and theater.

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...

An immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern day Brooklyn. He learns his only surviving relative is his great grandson, a computer coder who he can’t connect with.

Motel, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide. The richly-rendered beautiful Yiddish songs by Sholem Secunda featuring Cantor Leibele Waldman and Joel Feig's famous choir are a good example of the bittersweet melodrama in the finest tradition of the Yiddish theater.

Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?

Raised in rural isolation by an extremist Hasidic sect, Chaim is torn between his devotion to his grandmother, an aging Holocaust survivor, and his attraction to a sexy blond in a Liberty car insurance ad.

A committed vegan, David, follows 73-year-old colonial relic Guy Wallace to South Africa as he fulfills a lifelong ambition to bag a Cape buffalo. It’s Guy’s last chance to relive his glory days and finally lay down his guns. The oddball relationship between David and Guy is the central drive of the film as the director explores the ethics of big game hunting and questions his own animal rights stance when lured in by the thrill of the hunt. THE END OF THE GAME is a compelling character study of a bizarre eccentric undertaking his last big game hunt in Africa.

Auguste Rodin's sculptures and Anna Halprin's creative process come together in this poetic film of dances in nature.

MY WONDERFUL WEST BERLIN recounts the lives and struggles of gay men in West-Berlin. Through present-day scenes and never before seen archival footage, a fascinating picture emerges of a city, that today characterizes itself as a dream destination and place of refuge for gays.

Wendy Padbury first appeared in Doctor Who in the late sixties, playing the diminutive cat-suited computer expert Zoe Herriot. Now she reveals all about playing Zoe and working with Patrick Troughton and Frazer Hines… not to mention Cybermen, Ice Warriors and Quarks! Wendy also talks about the 1974 West End stage play Doctor Who and the Daleks in the Seven Keys to Doomsday in which she played one of the Doctor’s companions. Featuring location footage from the stage production of Superted and a guest appearance by Jon Pertwee as Spotty himself, this Myth Makers even tells us which Cybermen design Wendy prefers!

This Myth Makers combines two interviews with Sarah Sutton; one filmed at Harrison’s Rocks, the main location for Castrovalva; the second recorded in a London studio eight years later and featuring some familiar monsters. Sarah chats to Nicholas Briggs about working with Tom Baker, Peter Davison, Janet Fielding and Matthew Waterhouse. There are also many behind-the-scenes stories about working on Doctor Who.

Deborah Watling portrayed Victoria Waterfield during Patrick Troughton’s tenure as The Doctor. Famous for the practical jokes that went on behind the cameras, this era produced some classic Doctor Who stories and Victoria became one of the most popular of the Doctor’s companions. This Myth Makers features material shot at Monstercon in Liverpool in 1985, together with an interview recorded on location during the shooting of Downtime, the Doctor Who spin-off drama, in which Deborah re-created the part of Victoria after more than twenty five years! Deborah and her late father, Jack Watling (Professor Travers) chat to Nicholas Briggs about working together again and we feature unique behind-the-scenes material from Downtime. And, of course, there’s the odd Yeti around!

Victor Pemberton’s association with Doctor Who is long and varied. As extra, writer, script editor, producer and novelist, he is in a unique position to comment on the programme’s successes and failures – and he’s prepared to do just that! Victor certainly wouldn’t claim credit for writing the dramatic links in this Myth Makers, where he encounters a strange bewildered Nicholas Briggs and the even stranger source of a ‘plopping’ noise. In fact, this is the culmination of the ultimate kitchen sink drama – just what is outside the window? This Myth Makers combines two interviews with Victor, the first shot on location at his country home in Essex and the latest at studios in London.

Doctor Who fans fondly remember the late Ian Marter as the charming, bumbling Harry Sullivan. The man behind the character was equally as likeable, but many times more sharp witted. As Nicholas Briggs and Ian walk and talk their way through locations for Terror of the Zygons, you’ll learn of Ian’s life as a prolific writer and actor. This is an extended version of the Myth Makers recorded in 1986, with a special introduction by Ian’s close friend Nicholas Courtney.

In 1987, when Nicholas Briggs first interviewed John Levene, it was a hot summer’s day in Richmond Park. John had begun a career in audio-visual presentation and was looking forward to a new chapter in his life. Eight years later John had moved to the USA and was living with his partner Jenny. He was now hosting gala charity events and looking to continue his acting career. During all this time there have been two constants in his life, Doctor Who and his irrepressible sense of humour. Nick managed to catch John on one of his rare visits to the UK and they take up the story so far including Wartime and Return to Devil’s End.

Peter Grimwade started his career at the BBC as a production assistant during the early 1970s and worked on three of Jon Pertwee’s Doctor Who stories. He went on to direct Doctor Who in the early 1980’s with Logopolis and Earthshock winning major fan awards. He then moved on successfully to script-writing with Mawdryn Undead and Planet of Fire which he successfully turned into novels for Virgin Publishing. Peter died in 1990, cutting short his life and a promising career. This Myth Makers release is dedicated to him.