A Little Family Conversation

Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

An upbeat, witty, and timely exploration of a global community of artists creating innovative work in their quest to rediscover and revitalise the endangered Yiddish language. From behind-the-scenes with an acclaimed Yiddish-language version of Yentl in Melbourne, to enjoyably transgressive punk-Klezmer musicians, and Barrie Kosky’s latest trailblazing production in Berlin – the endangered Yiddish language is alive and well in this rousing documentary. The language originated amongst the Jewish community in Eastern Europe, but almost disappeared when more than half of the world’s Yiddish speakers were murdered during the Holocaust. Most of the artists and performers (aka Yiddishists) in the film didn’t grow up speaking Yiddish, but all have found solace, identity, and inspiration in its rich traditions and culture. Ros Horin has mapped a fascinating cultural history.

Elliott Gould narrates this affectionate look at life in the shtetls of Eastern Europe in the 19th and early 20th centuries. "It's unreal that all this could have just disappeared," says Polish native Mariem Adler Stok, one of the seniors whose memories of this "Yiddish world" give this documentary its life. The hour traces Jewish history in Europe and explores Jews' focus on education, their religious customs, clothing, food, music and theater.

A bissele Glik

An immigrant worker at a pickle factory is accidentally preserved for 100 years and wakes up in modern day Brooklyn. He learns his only surviving relative is his great grandson, a computer coder who he can’t connect with.

Motel, a poor laborer, loving husband and new father, leads cloakmakers in a strike for better working conditions. When he is severely injured by strikebreakers, his wife, Esther, and infant son are left destitute. Desperate to save her starving child, Esther gives him up for adoption to a wealthy couple, and then commits suicide. The richly-rendered beautiful Yiddish songs by Sholem Secunda featuring Cantor Leibele Waldman and Joel Feig's famous choir are a good example of the bittersweet melodrama in the finest tradition of the Yiddish theater.

The Man Without a World is credited to the legendary (and imaginary) 1920s Soviet director, Yevgeny Antinov. But the film is anything but old. In fact, Antinov himself is the creation of contemporary filmmaker Eleanor Antin. Her film is a moving, comic melodrama set in a typical shtetl (village) in Poland. The Jews’ struggle against poverty and racial hatred is complicated by their own division into hostile political factions of the religious orthodoxy, assimilationists, socialists, Zionists, anarchists and survivors. While the Jews of the shtetl pursue their loves, politics, religion, business and dreams for the future, the Angel of Death is ever near...

Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?

Raised in rural isolation by an extremist Hasidic sect, Chaim is torn between his devotion to his grandmother, an aging Holocaust survivor, and his attraction to a sexy blond in a Liberty car insurance ad.

Westside Barbell is essentially what would happen if the Hell's Angels traded in their Harley Davidsons for squat racks and chalk. It is a collection of some of the strongest and scariest people to ever walk the earth. The atmosphere inside the cinder block walls has been described as a prison yard weight pile. Fights and cussing are part of the charm, as are tattoos and facial hair. The environment is brutal and wears quick on lifters with thin skin. Every day at Westside its dog eat dog. It's a proven recipe for world records (over 140 and counting), but is it worth the price of the pain? When the weights are big enough to kill, how far would you go for a number?

In 2004, political bloggers came of age. They propelled Howard Dean from fringe candidate to front-runner. They took on CBS anchor Dan Rather and won. As the 2006 mid-term elections approached, bloggers were preparing for battle again. This documentary examines how online democratic activism is shaping important elections by focusing on the decisive Connecticut senate race and Ned Lamont's challenge to incumbent Joe Lieberman.

Katie Puckrik explores the 1970s American music phenomenon of Yacht Rock, a halcyon period of Los Angeles studio craft that married R&B with themes of longing, aspiration and melancholy, before going on to explore how the genre adapted to the musical times of the 1980s.

A story of passion between Jean Cocteau, Pygmalion poet, novelist, designer, playwright and avant-garde film-maker and Jean Marais, a popular actor, "well-loved" chameleon and legend of French cinema. They shared a unique relationship which, from 1937 to 1963, combined the art of loving with the inordinate love of arts.

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of five different metropolitan cities.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.