Love and Soda

When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...

Cowboy Billy Fortune is in love with Hope Beecher, who prefers Billy's friend Ben Morgan, but resists his advances because of his fondness for drink. Hope's discontent is echoed by the town wives' public outcry against drink. To divert their interest, Billy is nominated to make love to their leader, widow Fay Bittinger, who has already disposed of four husbands....

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

The story tells of the adventures of an unusual young duke, whose father, the old Grand Duke of Kiev, coveted the wife of Count Dardinilis, his colonel of Huzzars; of the old Grand Duke's plot to get her for himself; of her accidental death at the hands of his Cossacks, and of the colonel's escape with his little daughter to America. The young Grand Duke, now an orphan, comes to America to complete his education.

Short comedy

Rooly, Pooly and Dooly were "picture sandwiches," but hardly shining lights, even in that capacity. Consequently they were "canned" by the management. A brilliant idea; one would play the wild man in the village square, a real live show of their own. Rooly and Pooly then basked in the society of fair country belles, but Dooly at length was rescued by Miss Smart, looking for excitement. She was not disappointed.

This ceremony requires greenbacks but the groom came up short.

Three Broadway chorus girls seek rich husbands.

Because of the circumstances of her parents' marriage her grandfather rejects their child, Mary. Following her their deaths she is placed in an orphanage where Mary finds hardship.

During World War I, Jeanette Gontreau becomes a "godmother" to three Allied soldiers imprisoned in a German camp. Describing herself as an old woman, she sends them cheerful letters and baskets of small gifts until one of the soldiers, Harry Ledyard, informs her that he has been released and will visit her in New York. Panic-stricken, Jeanette dons a wig and spectacles, and although she convinces Harry that she is old and gray, she soon falls in love with him. Harry worships his "godmother," and when secret service agents discover coded messages on her letters, he shields her by assuming the blame.

A young man's journey into adulthood, love, and ambition, inspired by a serial by George Randolph Chester exploring themes of love, ambition, and self-discovery, set against the backdrop of the Roaring Twenties.

While working as a dishwasher in a fashionable New York hotel, Elsie MacFarland often sneaks upstairs to enviously peek at the people dancing to jazz music. Seeing the attractive Elsie dressed in a boy's uniform, wealthy Lemuel Stallings wagers a friend that he can get Elsie onto the dance floor....

Returning from France after the war, John Tabor informs Palma May of her brother's death and offers the penniless girl his help, but she refuses it, preferring to work as a cabaret dancer. Later, John and Palma meet again, marry, and go west to manage a lumber camp, as instructed by John's wealthy father, Jarvis Tabor. Displeased by John's choice of wife, the elder Tabor tests the couple with difficult living conditions, which eventually discourage Palma, and she accepts the party invitation of Keith Merwyn, manager of the cabaret where she starred. Meanwhile, Merwyn effects a disturbance among the lumbermen, endangering John.

Bill, an initially unkempt office boy, world is changed when he becomes infatuated with Genevieve Reilly, a girl working in a different office. Driven by his desire to attract her attention, Bill begins to clean up his act and appearance, eventually turning into what a jealous coworker terms a "regular dude". The film culminates in Bill taking Genevieve out to lunch to impress her with his new, sophisticated persona.

Silent comedy short film about Mr. Hadley's fiancée, Ethel, and her new "steady" relationship with a lunch counter employee named Bill.

Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.

A wife attempts to cure her husband Binks's addiction to alcohol by bringing the Misses Simms, identical twin sisters, to her home as part of a scheme.

Dan, frustrated by Billie's affections for Mae, turns the lodge goat into a comedic revenge plot. After a series of mishaps involving the goat and a pony, Dan arranges a lodge initiation where Billie is the "goat" of the evening, leading to a bruised and battered Billie and his father returning home and discreetly recognizing each other with the lodge sign.

Georgie gets in wrong with Carmen at school through bad boy Dan, who puts on his innocent rival the blame for his own misdeeds. The two boys go into the cornfield at recess time to fight it out. There they are informed by another youngster that the straw man has come to life. Terrified, they run back to the schoolhouse. Georgie's Grandfather Truax, an old '49er, arrives in search of an escaped convict. He goes to investigate the cornfield, and Georgie follows him. Truax, with the help of his small grandson, takes the animated straw man captive. The 49er turns over the criminal to the guards, and children congratulate Georgie. Carmen is moved to kiss her hero.