André Hazes, Zij Gelooft in Mij

A documentary by Tony Palmer on English composer Sir William Walton (1902–1983), made shortly before his death. The film includes the only full-length interview ever recorded with Walton. Filmed at his home on Ischia and in Oxford, London & Oldham, it includes contributions from Laurence Olivier, Sacheverell Sitwell and Lady Susana Walton. Specially performed extracts of his music are conducted by Simon Rattle in his first substantial contribution to television when he was in his early 20s, with Simon Preston, Julian Bream, Yvonne Kenny, Yehudi Menuhin, Iona Brown, John Shirley-Quirk, Elgar Howarth & Ralph Kirshbaum, the Philharmonia Orchestra, the Grimethorpe Colliery Band, Christ Church Cathedral Choir, Oxford & Los Paraguayos.

Wirklich alles?!

Eddie Cochran & Friends: C'mon Everybody

A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.

In 2017 Bill Drummond and Jimmy Cauty, formerly The KLF, returned after 23 years of silence with a new project. They were no longer a pop group but undertakers, building the People's Pyramid out of bricks made from the ashes of dead people.

Cold War Leningrad: In a culture where the recording industry was ruthlessly controlled by the state, music lovers discovered an extraordinary alternative means of reproduction: they repurposed used x-ray film as the base for records of forbidden songs. Giving blood every week to earn enough money to buy a recording lathe, one bootlegger Rudy Fuchs cuts banned music onto such discarded x-rays to be sold on street corners by shady dealers. It was ultimate act of punk resistance, a two-fingered salute to the repressive regime that gave a generation of young Soviets access to forbidden Western and Russian music, an act for which Rudy and his fellow bootleggers would pay a heavy price.

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Indonesian noise, the largest scene of extreme and independent music scene is the biggest in South-East Asia. This documentary gives an extensive overview with numerous bands, artists and speakers, all from Jakarta, Bandung, Bekasi, Yogyakarta, and Tokyo, who freely talk about their own definitions and approaches to noise music.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

10/24/1973 Capitol Records Rehearsal Session, Capitol Record Tower, Los Angeles, CA SET: You can't blame the Youth. Slave Driver, Burnin' and Lootin', Rastaman Chant, Duppy Conqueror, Midnight Raver, Put it on, Stop that Train, Kinky Reggae, Stir it up, No more trouble, Get up stand up

Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.

This short documentary, shot in July 1976 at the Mannes College of Music on Manhattan's Upper East Side, marks the first collaboration between Merchant Ivory Films and composer Richard Robbins, who would go on to provide the musical scores for nearly all Merchant Ivory films. Later in 1976, 'Sweet Sounds' was shown at the New York and London Film Festivals. It was also broadcast on PBS.

London's Burning

In JINGLE BELL ROCKS!, director Mitchell Kezin delves into the minds of some of the world’s most legendary Christmas music fanatics and hits the road to hang with his holiday heroes – including hip hop legend Joseph “Rev Run” Simmons of RUN-D.M.C., The Flaming Lips’ frontman Wayne Coyne, filmmaker John Waters, bebopper Bob Dorough, L.A. DJ and musicologist Dr. Demento, and Calypso legend The Mighty Sparrow. In his search for the twelve best, underappreciated Christmas songs ever recorded, Kezin both asks and answers the question, “Why, when Christmas rolls around, are we still stuck cozying up with Bing Crosby under a blanket of snow?”

A documentary about The Trunk Space, a legendary DIY venue in Phoenix, AZ which hosts a yearly music festival called "The Indie 500."

This film from acclaimed theater director Lonny Price charts the journey of the original cast of Stephen Sondheim's "Merrily We Roll Along" in the 30-plus years since the musical debuted on Broadway at the Alvin Theatre in 1981.

An comprehensive look at the life and music of Mark Linkous, a influential figure in the alternative music scene. Critically-acclaimed Linkous had a dramatic life that saw him battle with drug and alcohol addiction, paralysis, and debilitating depression that resulted in his eventual suicide. Mark's music was heralded by his peers and critics; a mix of delicate pop, discordant punk and melodic odyssey; it has been described as defiantly surrealist with all manner of references to smiling babies, organ music, birds, and celestial bodies. The film mines Marks life and music and navigates the sacrifices and highs and lows of his art.

The American indie rock band “Dinosaur Jr.” is a radical group with an unmistakeable sound. The film tells the story the three charismatic guys in the band: J. Mascis (vocals, guitar), Lou Barlow (bass) and Murph (drums).

Ramón Rodriguez, lead singer of Madee starts his solo career as The New Raemon. The movie documents the transition with interviews and live performances.