Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.
A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
"A.WAY" is a journey into lost memories of youth, purely constructed with archive material. A nostalgic reverie that transitions into a feeling of melancholy and unease. The beauty of life and the fear of death as a universal sentiment.
After a premonition of an unusual bird, a father loses his voice. His daughter undertakes a search to rediscover him, through an intimate narrative that explores the past, the new facets and the silences of a man who is no longer the same.
Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!
Petar Peca Popović is one of the greatest, most famous, most authoritative and for sure, the best, connoisseur of Rock and Roll in the former Yugoslavia. He promoted Rock and Roll in those heroic times. We are going on a peculiar kind of trip with him, along an "emotional homeland", of ex-Yu, "searching for the lost times" and dear friends, the most significant representatives of this culture - rock'n'roll legends.
Dive full-force into the most electric, profound, action-packed, and emotionally resonant decade in the history of filmmaking with the fifth installment of the “Tour de Cinema” series.
Experience the 1990’s and the end of a millennium in the sixth installment of the “Tour de Cinema” series.
When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.
Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.
A film about small Ontario town's struggle to restore a desecrated African-Canadian cemetery and the resulting turmoil over it.
This story follows the history of the most over buried commercial cemetery in America. It comes full circle to present day and documents a non profit's efforts to take care of the abandoned and abused burial ground.
Archaeologists, preservationists and everyday people are mapping and cataloging cemeteries in Arkansas. They are piecing together the fragments of broken and damaged markers and memorials and in the process are uncovering more information than they thought they would find.
A feature length documentary shot over 9 months taking a look at the explosion of movies that became available on VHS in the UK.
All the stories told, all the memories, dreams and lost moments were left in a tank from other generations.
A doctor's efforts to live a green life near the Appalachian Mountains lead to the development of a radical idea to use green burials to conserve one million acres of land and to create wildlife reserves.
Documentary about Finnish film theaters - about their past, disappearance and future. And at the same time universal story how cinema is undeniably connected with life.
A looking at the famous cemetery
A filmmaker celebrates his inspiration for movies by recreating what it was like for his 9-year old self in 1972 when he journeyed downtown to spend a magical Saturday afternoon at the movies.