Turnaround: A Story of Recovery

A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.

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Hi, My Name is Dicky is a sports documentary about hockey player Richard Clune, and his struggle with substance use disorder while playing in the National Hockey League (NHL). The story begins in Toronto, where we learn about his typical Canadian childhood, then moves onto his teenage experience with the Ontario Hockey League’s (OHL) Sarnia Sting. During his time in the OHL, Rich developed a crippling addiction to drugs and alcohol, which threatened to derail both his personal life and professional career. Shortly after debuting in the NHL with the Los Angeles Kings, Rich made the choice to get sober, embarking on a wild journey to the rehab clinic back home in Canada, from his brother's dormitory in Worcester, Massachusetts. Sober for over ten years, the viewer learns how Rich leads a fascinating life off the ice, and has become a mentor to many players in the NHL, now in the twilight of his career playing for his hometown Toronto Maple Leafs.

A tender portrayal of four stubborn brothers becomes a touching contemporary Swedish family chronicle about dreams, class, heritage, and the difficulty of connection. The Andersson brothers grew up in a working-class home in Gothenburg. Roy became an internationally acclaimed filmmaker while Ronny ended up as a homeless man. Kjell became a documentary filmmaker, and Leif lives as a disability pensioner.

Documentary about living with an addict and grappling with the genetic propensity of becoming one.

The people at the centre of this film are lawyers, civil servants, housewives, managing directors and mothers. They are also alcoholics. In her documentary, Carolin Schmitz explores the protagonists’ stories and their strategies for survival: the little tricks they employ in order to try and get through their daily lives – lives which become increasingly difficult to manage the stronger the addiction becomes. Their fear of losing control and being exposed as a drinker create their need to conform, but the protagonists can only cope with this pressure by increasing their alcohol intake.

America may be ready for a blind woman who has a career or is raising a family, but is it ready for a blind woman who doesn't conform to the norms of proper behavior?

Edvard Oja is the object as well as subject of his own film. This is an honest story about chronical alcoholism, about the author's journey through treatment, religion, death and friendship. Edvard has been always supported by his mother who has provided unconditional love for her son in every situation. Mother is the only one in the documentary who won't ennoble the environment suffering from alcoholism. Yet, her son has no strength to struggle out of his tough situation. Is it possible after all that he will be cured?

While Rodman is no doubt one of the greatest talents in NBA history, he is just as famous for his off-court exploits. 30 for 30 explores the reasons behind him becoming the character he is known as today.

Follows homeless, addicted and alienated Greenlandic women in Copenhagen, Denmark; includes fragments of Greenlandic culture.

Chronicles the fascinating and often turbulent life of Townes Van Zandt.

We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?

The life and work of the enigmatic singer-songwriter Harry Nilsson.

Markenhof nursing home is located in the woods of Beekbergen. The unsuspecting walker might think it's a holiday park, but the buildings are home to 138 patients, all wandering around in various stages of memory-destroying Korsakoff's Syndrome. Korsakov's disease is caused by severe vitamin B1 deficiency, almost always the result of alcoholism. One patient can do little more than stare into space, while the other appears to be fine at first glance. Wracked by guilt, shame, addiction and a destroyed memory, patients Kenny and Christina try to create an understandable and livable world.

Chelsea Bledsoe and her husband Graig throw a surprise intervention for her old high school boyfriend, Henry, with a mismatched group of acquaintances from back in the day to fill out the guest list.

The final stages of alcohol addiction are juxtaposed with the official attitude of Polish authorities towards the success of the ever-growing national alcohol industry.

James Franco interviews three experts on the poet Hart Crane, whose life was the subject of his feature The Broken Tower (2011).

Real-life drama about why, in a beautiful and quirky rural town, film- maker Jez Lewis' childhood friends are killing themselves. Beginning with a personal quest for understanding, the film moves into a year-long drama of human tragedy and redemption as principal character Cass comes to terms with his own mortality and attempts to lift himself out of his cycle of self-destruction. This core narrative carves an upward arc through an intimate study of a place often described as paradise, but which harbours an undertow of lethal hedonism and disillusionment. As people continue to kill themselves during the making of the film, a maelstrom of conflicting values throws up unexpected truths about the human condition.

An unflinching look at life on the fringe, documenting the changing fortunes of residents throughout a year. Encountering humanity within this harrowing reality, a radical care-model offers hope for chronic alcoholism.

Arthur and Ernest are two bachelor fishermen who occupy the proverbial end-of-the-road on Morris Island, an Acadian community in southern Nova Scotia. Sober or not, they carry on with and for the filmmaker who is attempting to find out about their lives. The resulting encounters owe a smuch to Harold Pinter or Samuel beckett is they do to the documentary genre of film-making.