Death in Cold Blood

A prize-fighting boxer with a lethal right punch falls for a gangster's moll on the run in Mexico.

Based on true events, tells the story of the Granny-Killer who muredered almost 50 old ladies in the 90s.

Nearly thirty years after making his surrealist La Formula Secreta, director Rubén Gámez returned to filmmaking with this impressionistic portrait of modern-day Mexico. Reminiscent in some ways of Godfrey Reggio’s Koyaanisqatsi, Tequila appears to be a cinematic extension of Mexico’s muralist tradition, a contemporary equivalent of Diego Rivera or David Alfaro Siqueiros with vignettes, quick ideas, visual puns, cartoons, and political statements.

Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.

On their way back home from a baseball academy’s tryouts, Pedro and Lucio are taken hostage and turned over to a criminal group. The teenage friends are forced to fight each other to death; Pedro defeats Lucio and manages to escape. Pedro receives help and refuge with Lucio’s family and he witnesses the family’s collapse and pain. Pedro is tormented with guilt and fear, he cannot tell his friend’s family the truth.

Scientists do an investigation on sharks as they believe they can cure deadly diseases.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

In Mexico, a mad general is leading his own war against the Church. Priests are rounded up, churches burned down and religion outlawed. The suffering of one pious catholic priest could bring the tide of change however.

A cowhand and his sidekick come to the Texas border country looking for the man who had lured the cowhand's sister in bondage in Mexico. But the man doesn't want to be found and has hired some gunmen to see that he isn't.

A haphazard party-ride to Mexico evolves into an enigma with a fugitive alien at the helm.

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

Camelia, a prostitute who works in a low-class cabaret in Mexico City (called "The Blood Stain') meets Guillermo, a young man from the country who just arrived in the city looking for a better life. She offers to take care of him until he gets set up, and the initial friendship soon turns romantic. This inevitably causes problems with Gastón, Camelia's pimp.

A weekend cruise on a luxurious party yacht goes horribly wrong for a group of old high-school friends when they get stuck in the water many miles from shore and a happy reunion turns into a fight for survival.

Jack Hammond is sentenced to life in prison, but manages to escape. To get away from the police he takes a girl as hostage and drives off in her car. The girl happens to be the only daughter of one of the richest men in the state. In a while the car chase is being broadcast live on every TV-channel.

Jaded ex-CIA operative John Creasy reluctantly accepts a job as the bodyguard for a 10-year-old girl in Mexico City. They clash at first, but eventually bond, and when she's kidnapped he's consumed by fury and will stop at nothing to save her life.

A group of gangsters escape from prison and attempt to destroy a rival organisation holed up in a convent in Mexico.

A man tries to find a moment of silence amidst the chaos of a busy city and his own troubled mind.

A hacker who is spying on a pretty neighbour messes up his assignment to break into Swiss bank accounts for Russian mobsters.

As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.

Johan and his family are Mennonites from the north of Mexico. Against the law of God and Man, Johan falls in love with another woman.