The Rajah's Dream or The Bewitched Wood

Back in 1987, CGI was still relatively new. Pixar had only produced three shorts by that time and they tended to be extremely simple. And, such projects took years and were still created using massive mainframe computers--as PCs were not fast enough or complex enough to do this sort of work. And, most importantly, rendering software had to be created by anyone wanting to do such work. It was a very primitive time for the most primitive sort of CGI, this short film is an animation that was used to demonstrate the new physics of the polygon animation.

"Films Confiscated from a French Brothel" is a bare all Avant-garde Anthology homage to silent stag films.

Bigorno gets a visit to his seaside estate from a traveler, who brings a monkey and bric-a-brac for his wife and mother-in-law, and some opium for him.

Disney

Through newly restored and remastered shorts, features, forgotten industrial films, promotional films, commercials, live television appearances and out-takes, Industrial Strength Keaton reveals the continuing artistry of Hollywood's greatest laugh maker, paying homage to a career spanning nearly every form of recorded visual media from 1917 until his final work in 1965.

Made-for-TV special of popular comic strip.

In a scheme that is all the more convincing on silent film, Polydor attempts to fool a high-society mob with a no-talent singer who lip-synchs recordings from a hidden Gramophone. (MoMA)

John and Flora meet at a ball, but neither can do these modern dances, so they sit out… and run into each other later at a dance studio. Bunny exudes his usual Pickwickian charm. Miss Finch gets involved in a nice bit of physical comedy when her gawkiness makes the dance lesson less than successful.

The story involves various misunderstandings and entanglements that occur between two married couples, the Browns (Glenn Tryon & Vivien Oakland) and the Dazzles (Tyler Brooke & Anita Garvin). The two couples have apartments across the hall from one another, and all four plan to attend a costume ball together. But after each husband expresses unhappiness with his wife's costume the women angrily refuse to go to the party. The two husbands decide to go "stag" and pick up dates, but when Mrs. Brown changes her mind about attending, and Mr. Dazzle and Mr. Brown switch costumes, mix-ups result.

Showing a weird invention, called hypnotic mirror, in action. Placed before anyone the polished surface reflects the actual thoughts within their minds. Its uses in the court room, the home and the school house are cleverly shown. When the mechanism tells a wife the truth about her husband, something commences.

Clara Kimball Young, batting her eyelashes even faster than Bernadette Peters, plays Gwendoline, an innocent(?) heroine who seeks a livelihood in the big city. She's briefly employed in a 'bucket shop' (a crooked brokerage house) and arouses the attention of a moustache-twirling top-hatted villain (played by her real-life husband James Young). After temporarily escaping his clutches, she finds gainful employment in the firm of a dry-goods millionaire (James Lackaye). The millionaire's youthful son Cornelius (played by Sidney Drew, well into middle age) falls in love with her ... but his father disapproves of their marriage, and he cuts off Cornelius with only a shilling (24 cents, it says here in the titles). The villain arrives, murders Gwendoline's employer (just temporarily, mind you) and frames Cornelius for the crime. Will true love triumph?

A city couple drops into a restaurant and try to steal the cash box.

A 1922 comedy short.

Every time the beautiful Regina rejects his advances, James pushes a red button and tries again, all the while unaware of the reality and consequences of his actions.

Anita and Marion take a temporary job as waitresses in Max's diner, next to a train station. When the train stops off, pandemonium erupts when the passengers fill the diner and all want meals immediately. This film only survived in parts.

Often hysterical spoof of Tod Browning's THE UNHOLY THREE (and several others of his crime movies) has Charley Chase playing the mastermind of a dimwitted trio of thieves who plan on stealing a priceless jewel.

A newly married couple looking for a house come up against a crooked real estate agent.

A Change of Complexion

After arranging for wifey to land a job as the café's cashier, Mann warns her not to reveal that they're married, lest proprietor Slim Summerville fire them both. The trouble begins when both Summerville and headwaiter Bobby Dunn fall for Pierce, driving Mann into paroxysms of insane jealousy.

A repairman falls in love with a blacksmith's daughter, who's having trouble with their greedy landlord, and helps them get one over on him.