Shadow on the Prairie (A Canadian Ballet)

On Wings of Love is a 1957 Japanese romantic musical film directed by Toshio Sugie. It was Toho's highest-grossing film of the year and the first film released in Tohoscope.

Band leader Johnny Draper auditions his band, the Dixie Pixies, at the Eagle Aircraft Co., hoping to be hired to play for the workers in the plant. However, personnel manager E. V. Hartley can only offer them regular jobs, and when Johnny inspires the Dixie Pixies to work in the plant, lead singer and dancer Donna D'Arcy leaves the band for a singing job at the Club Martel in downtown Los Angeles.

A musical comedy telling the story of a mother who is trying to raise her son Sayyed after her husband's death. However, her son faces problems whether at college or with his uncle.

A scholarly king and his three companions swear off the society of women for three years, only to have a diplomatic visit from a French princess and her three ladies-in-waiting thwart their intentions.

Agetarō, a third generation tonkatsu shop owner, one day makes a bentō delivery for the first time to a club where he experiences an uplifting feeling he's never had before. Furthermore, he is wholeheartedly set on winning the heart of Sonoko, with whom he fell in love at first sight, so he decides to be both a tonkatsu shop owner and DJ.

Hania is a young journalist who suddenly discovers that she is more connected with dancing than she could ever imagine ...

A visual album. A story of falling apart and putting yourself back together again as the world does the same. It is a story about personal death and rebirth, mental health, dealing with the tragedies of the world, queer love and finding community while featuring two of the most important places to the artist, MALINDA- Brooklyn and the west coast of Ireland.

Airline hostess Ann Parker is fired for being undignified when she sang to calm the passengers during a storm. Mike Connors, publicity man for Frankie Carle's orchestra, invites her to try out as the band's vocalist since the regular singer, Mary Lou, had just quit the band on the eve of an engagement at a swanky New York night club. Encouraged by her boyfriend, Steve Roberts, Ann lands the job and assumes the name of "Mary Lou", a trademark almost for Frankie Carle singers. But the departed Mary Lou shows up and threatens to sue if she is not rehired. Ann returns to her former job. Meanwhile, Steve locates the woman who was the original Mary Lou with the band, and urges Mike to keep the current Mary Lou off the bandstand until he can return with Ann.

A rogue Director turns a run of the mill Hollywood love story into a big band musical with the help of his crew and the out of the loop actors.

Pillbox tells the story of a couple who are forced to part when the man heads overseas to war. The opening sequence boasts the simple black-and-white aesthetic of early cinema – complete with title cards – but after a barrage of harrowing newsreel footage, the wounded soldier finds himself in a psychedelic fantasyland where he parties with a bejeweled king and his subjects. But after insulting the king, the soldier is blinded, banished and forced to wander through a surreal landscape as he searches for redemption and tries to find his way home.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

A year in the life of a turn-of-the-century middle class family, leading up to the opening of the 1904 St. Louis World's Fair.

Short film accompanying the 'Adult Baby' album by Kazu Makino. A giantess leaves the sea in order to live as a human and fall in love, but must return to the sea before she returns to her true form.

The 2018 Revolutionary Girl Utena musical, marking the 20th anniversary of the series, ran from March 8-18th at CBGK! Theater in Shibuya, Tokyo.

A silver-tongued poet and self-proclaimed "King of the Beggars" searches old Baghdad for a rich bachelor to marry his dreamy daughter, Marsinah. Along the way, he poses as the renowned sorcerer Hajj and gets in and out of scrapes with an elderly thief, a dim-witted wazir, and his wife. Meanwhile, his daughter develops feelings for a handsome caliph.

R&B star Skye Williams' comeback is threatened when an obsessed fan’s admiration turns into a dangerous fixation. As she and her boyfriend vanish without a trace, Skye must fight to escape before his obsession turns deadly.

A long time ago, John Miller emigrated from Germany to America. Now he wants his daughter Elinor to get to know his old homeland and sends her off to Heidelberg, where she is to study for a year. Pretty soon, the pretty young girl is in demand among the young men in town. Especially the students Dahlberg and Bornemann try to win Elinor's heart.

The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady drops out of the film, they decide to replace her with the village's young post office clerk Gretl, who returns to Berlin with them. There she has to struggle with the movie's all-male crew, who all try to woo and win her.

Drunken, has-been rock star John Norman Howard falls in love with unknown singer Esther Hoffman after seeing her perform at a club. He lets her sing a few songs at one of his shows and she becomes the talk of the music industry. Esther's star begins to rise, while John's continues to fall. She tries desperately to get John to sober up and focus on his music, but it may be too late to save him.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.