Throw Away Your Books, Rally in the Streets

Haunted by a childhood romance and recollections of love lost during the 1947 Partition of India, 95-year-old Ishar Singh Grewal shares his story with his grandson Nirvair, the past unfolding through memories of migration, longing, and a romance that endures across generations.

Sexually abused as a young girl, Kate "Ma" Barker grows into a violent and powerful woman by the 1930s. She lovingly dominates her grown sons and grooms them into a pack of tough crooks. The boys include the cruel Herman, who still shares a bed with Ma; Fred, an ex-con who fell in love with a fellow prisoner; and Lloyd, who gets high on whatever's handy. Together they form a deadly, bizarre family of Depression-era bandits.

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

Anna and Philip, separated for a year, arrive at a remote island to sort out their marriage and the future of their two children. Anna, firm in her logical decision to divorce, faces Philip, who hasn't thought things through and defensively tries to show Anna that there is still hope to reconcile. Heated arguments and contradictions surface deep emotions. Their old affection rekindles, and the roles are switched, leading Anna to reconsider, but Philip, realizing why they drifted apart or unwilling to put in the work, declares the relationship should end.

The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. Through tragedy and triumph, under the shadow of their domineering father and coach, the brothers seek larger-than-life immortality on the biggest stage in sports.

Chronicles three years of a middle-class family seemingly caught up in their daily routines, troubled only by minor incidents. Behind their apparent calm and repetitive existence, however, they're planning something much more sinister.

A man tries to warn his brother away from the new girlfriend he brings home during Thanksgiving, but ends up becoming infatuated with her in the process.

Ruby and her husband Claude are a working-class couple who live in suburban Arkansas. As crazy as they are for each other, their relationship is far from harmonious. (The lack of money doesn't help matters, either.) In fact, their whole family is fraught with unresolved conflicts. Then Claude's uncle is arrested on a felony charge, and everyone rallies round. Ruby's mother Jewel and flirtatious sister Rose (Claude's ex-girlfriend) even fly in from Tennessee; but, far from being a source of support, Jewel seems only to want to break up Ruby and Claude.

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

A grief-stricken dysfunctional family goes camping.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.

A young woman answers the door.

William, a once obese and troubled teen, goes back to his family's home after being gone, without word, for ten years and finds it (and his family) haunted with his past. He had moved to the city and become a fit, well-adjusted gay man, but during his visit home, he becomes unhinged as the newly remembered reasons for his miserable adolescence come to life in each of their presents.

Lucía is a greedy mother who needs to feel young, seductive and atractive when she is in her sixties. She will do anything at hand to get what she wants, this behaviour will lead to the total destruction of her dysfunctional family.

A woman gets lost in the woods.

Tinskani mourns the death of his friend and mentor, Salvador. His partner, Citlali, urges him to attend the funeral with her, but Tinskani is haunted by the photograph of his friend's corpse. He'd rather wander through the town’s carnival, camera in hand, seeking to replace that ghostly portrait with new ones.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

A headstrong woman moves to New York and must come to terms with her estranged gay son and his partner.

Psyche 1947, made while a student at USC, shows Markopoulos’ developing style and his sensuous use of colour and composition. Shot in the Hollywood hills, the film was inspired by an unfinished novella by Pierre Louÿs. - Tate Modern

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.