Something Good — Negro Kiss

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

In a time when love between two men is still unaccepted. They choose to hold their own wedding not for recognition but to live their truth and find happiness on their own terms.

196X. Anna, an enigmatic and attractive professional kidnapper, abducts The Professor during his wedding ceremony on request from one of the latter's former girlfriend. This woman, whose face Anna has never seen, wishes to die with The Professor before he marries. Leaving the church with The Professor on the back seat of her motor-bike, Anna starts on the journey to the fictional city of 'Alpha Paris'.

Two former high school classmates return from a night of heavy partying. The closeness of their friendship long ago quickly metamorphoses into a present day battle between tenderness and desire. As the pair open their minds to each other, dawn sheds light on their anxieties, which soon evaporate under the sun's rays.

After 25 years, a former hired gun visits his old colleague, now a small-town sheriff. Their past relationship is explored, as is how they reflect on it in the present.

Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.

The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.

A zom-com short film about love, hunger and the petty arguments that outlive the apocalypse. Anna and Phil are a zombie couple trying to decide what to eat for dinner, only Anna has reached the critical stage of hanger and can’t decide. As indecision sets in, so does relationship tension. Will they eat together? Or will Phil commit the ultimate betrayal… Eating without her.

Rachel can't stop herself from falling in love with Paulie, the woman who helps her try on wedding gowns.

Judith attempts to work out why her partner appears not to be that interested in her, whilst other men appear to care more.

Wallace and Gromit open a bakery, accidentally getting tied up with a murder mystery in the process. But when Wallace falls in love, Gromit is left to solve the case by himself.

Starring Mike Brayden, Yvette Angulo and directed by Ryan Casselman. Birthdays can be tough. Often a reminder that our lives are moving at rapid speed, and while you may have aged a year older over night, you realize that not a whole lot else has changed. That is certainly the case with Jeff, a greeting card creative who has the 'birthday blues' and struggles to find someone to share his birthday with.

Monica Wright and Quincy McCall grew up in the same neighborhood and have known each other since childhood. As they grow into adulthood, they fall in love, but they also share another all-consuming passion: basketball. As Quincy and Monica struggle to make their relationship work, they follow separate career paths though high school and college basketball and, they hope, into stardom in big-league professional ball.

A weapons deal between a white supremacist and a member of the Islamic State blossoms into more.

A short film about Philip who dreams of becoming a model. At a casting he gets the chance to be photographed with the well-known model Sebastiaan; they fall in love. During the photo shoot, Philip pushes his limits more and more in order to keep the photographer's interest. Philip and Sebastiaan lose control of the situation when Philip is doing everything he can just to be able to stay in front of the camera.

Ocean, a boy who was born and raised on a small island, has a taboo relationship with Tide, a sailor whose ship regularly docks at the harbor.

Iris

Fon has been harboring a secret love for her best friend for as long as she can remember. Fearful of jeopardizing their friendship, she chooses to keep her feelings hidden. However, seeing her best friend and her boyfriend's intimate moments makes her feel very uncomfortable. How long will she be able to hide her feelings? Will Fon be able to turn her friendship into love?

Two little children, who think themselves very much in love with each other, imbued with the ideas of their elders, plan a romantic marriage. Alvin Strong, the boy, confides his intentions to the family's servant, Jaspar. Alvin arranges with Jane, his sweetheart, to elope in the usual way, through a window, with the assistance of a ladder.

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.