Apna Ghar

Aadharshila portrays the struggles of young people - especially graduates of the Film and Television Institute of India - to find a foothold in the Indian film industry. The film ends with the completion of the film-within-a-film.

What's the importance of Gandhiji's values in today's corrupt world? Do they even have any value left? Can anyone lead a peaceful life by implementing those values in day-to-day life? Questions such as these find answers in Gandhigiri. NRI returned Rai Saheb strongly believes in the principles of Gandhi. Infect his father had played an active role in the freedom struggle and was closely associated with him. After returning to India, Rai Saheb comes across four different people who've walked on the wrong paths and made wrong choices due to various circumstances. The movie beautifully captures the efforts made by Rai Saheb to make them realise the importance of Gandhi ji's values in today's age & time.

A man is forced to marry a tree to ward off ill-luck that surrounds his love-life which turns into a nightmare when the tree is embodied by a spirit with an unfinished business.

A forest conservator works with a tribal clan during the British rule over India. He consciously does several marriages to expose the sly men who are playing with the sacred institution of marriage.

A sexual assault victim, unjustly tried for the attempted murder of her attacker, is defended by a retired lawyer who challenges India's rape culture.

When a successful manager decides to sell his plantation in his ancestral village to another company, his young daughter begins acting strangely.

Wah Taj is a Bollywood drama film directed by Ajit Sinha, presented by Jayantilal Gada (Pen India Pvt Ltd) and co produced by Pawan Sharma and Abhinav Verma under the banners of Pun Films Pvt. Ltd. and SpyderWave Films. It features actors Shreyas Talpade and Manjari Fadnis in the lead roles.

Wayward, brash, and disobedient Mohan (Shammi Kapoor) is sent by his angry dad Diwan Badriprasad (Ulhas) to a retired army captain Dayaram (Om Prakash) to learn some discipline and respect. But Mohan asks his friend Anokhe (Mehmood) to switch places with him, and Anokhe agrees to do so. Mohan meets with Meena (Mala Sinha), who lives with her blind dad (Manmohan Krishan). Anokhe is welcomed as Mohan by Captain Dayaram and his daughter Malti (Shubha Khote) in their household. Eventually both Malti and Anokhe fall in love. Things start to get even more muddled when Captain Dayaram finds out that Anokhe is married to another woman, and that Anokhe drives a rickshaw. The police are notified and they are asked to arrest Mohan - they arrest 3 Mohans. Who is the real Mohan?

This is a movie about a married man who falls in love with another woman. How his wife is able to get him back and how he realises his mistake is the plot.

It's not just a matter of one spirit, it's a matter of multiple possessions in one body.

A stranger enters a widow's life claiming to be the brother of her dead husband, but she claims that he is a fraud and that her brother-in-law died three years earlier in a car accident.

An unconventional thinker helps a budding cinematographer gain a new perspective on life.

Vidya Sinha has only one obsession in life. She wants to see her teenage daughter Mini, who is paralysed waist-downwards, walk again. But, is this scenario as obvious as it seems? Or is Vidya an impersonator of Durga Rani Singh from Kalimpong, who is wanted for kidnapping and murder?

On the eve of Independence, the chairman of the Border Commission, Sir Cyril Radcliffe decides to divide India and Pakistan into equitable halves. What the administration doesn’t account for is the line running through the middle of Begum Jaan’s brothel situated plonk on the border; with one half falling in India and the other in Pakistan.

The musical drama is a sequel to the 2008 blockbuster 'Rock On' that tells the story of four friends and their passion for music. This time around, the film centers around the regional conflict prevailing in the North Eastern states of India.

Hesitant to marry dancer Rajni, Ashok initially refuses but slowly falls in love with her. However, when Ashok and Rajni are about to get married, they find themselves embroiled in a murder.

Badrinath is looking for a typical bride; Vaidehi is looking for an independent life. Together they must break with tradition and redefine their role

An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.

Inspector Shankar (Biswajeet) is assigned to investigate the mysterious death of Sunder Singh (Sujit Kumar). During this process, he meets a beautiful young and rich heiress named Sheil (Mala Sinha), who has an impaired memory, and is being looked after by Sunder Singh's aunt (Nirupa Roy). He falls in love with Sheila. Sheila confides in Shankar that she thinks she is haunted by a scarred-faced man. As the investigation progresses, Shankar gets the feeling that the results will change their lives forever.

ASP Raj Sinha is assigned to nab the criminal responsible for printing and circulating fake currency notes. However, he is in for a rude shock when he learns that the criminal is his childhood friend