Vali, The Witch of Positano

The evolution of Picasso's painting up to his “pink phase.”

Francis Bacon: Fragments of a Portrait explores the recurring themes in Bacon’s work, his influences and his life. The documentary is accompanied by a haunting score specially composed by Edwin Astley for the production.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’

The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.

The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.

Pierre-Auguste Renoir is known and loved for his impressionist paintings of Paris. These paintings count among the world’s favourites. Renoir, however, grew tired of this style and changed course. This film, based on the collection of 181 Renoirs at the Barnes Foundation in Philadelphia,– examines the direction he then took and why it provokes such extreme reactions right up to today. Some claim they are repulsed by Renoir’s later works and some claim they are seduced. What may surprise many is that among the many artists who sought Renoir’s new works out and were clearly highly influenced by them were the two giants of the 20th century – Picasso and Matisse.

A film about and with Max Ernst.

Never before has the extraordinary life of Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that shaped her. THE LIFE AND TIMES OF FRIDA KAHLO explores the 20th century icon who became an international sensation in the worlds of modern art and radical politics.

In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.

Described as "Houdini with a sunnier disposition," illusionist Lamont Ream extends his magic beyond cards and coins to his work as a live-in caregiver.

“Pat Pasloff is a strong artist within a strong tradition…She has transcended some of the angst of Abstract Expressionism, without descending into something that is bland or formulaic or potentially conceptual” – David Cohen Pat Pasloff (1928 – 2011) was an ambitious abstract expressionist painter who produced large scale, fresh, and vital bodies of work. Studying under pioneering artist William de Kooning, she was able to find her own path and grow from his influence. Her patterns and grids come alive with the materiality and physicality of her paintings. Watch as Pasloff describes her experiences painting, gaining an education in art, and as her visual language of emotion comes alive.

Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.

An investigation of Edward Brezinski, an ambitious, charismatic Lower East Side painter hell-bent on sucess, who thwarted his own career with antics that roiled NYC’s art elite. Brezinski’s quest for fame gives an intimate portrait of the art world’s attitude towards success and failure, fame and fortune, notoriety and erasure.

Destroying your own artwork. For many artists it is unmentionable, but Loes Heebink from Kolderveen irreparably destroyed her artwork "Fluisteraars" herself and came up with the idea for a documentary of the same name, directed by Saskia Jeulink.

This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

Charles Rennie Mackintosh, architect, designer and artist is celebrated around the world as one of the most significant talents to have emerged in the period from the mid 1890s to the late 1920s. He was one of the greatest, most original talents of this time and has been judged a precursor of firstly the modernist style and subsequently of the Art Deco movement. His legacy lives on all around us in his instantly recognisable style. A MODERN MAN takes a critical look at Mackintosh’s life and artistic career and the importance of the friends and patrons who provided him with regular work when it mattered most.

The film examines Mackintosh's iconic buildings, notably the Glasgow School of Art. Interwoven with his architecture, design and watercolours is the personal story of Mackintosh. Little known at home, his work found favour on the continent. In later years he struggled for work, and came to endure real poverty, but continued to create remarkable pieces of art.

In this brand new episode, master illusionist and showman Derren Brown plans to pull off the perfect crime. He’s bet renowned art collector Ivan Massow that he can steal a painting from right under his nose. In true Derren style, he will tell Ivan exactly which painting he plans to target – a work by Turner-nominated British brothers Jake and Dinos Chapman no less – as well as what time the theft will happen. He’ll even give him a photograph of the person that’s going to take it.