The Crime of Carelessness

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

Considered to be the first full-length Argentinian fictional film, based on the novel by the same written by José Mármol which is the first Argentinian fictional novel.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

Latif a seven year old boy living during the collectivization policy in USSR.

Master violist Anton Lardozo rounds around Europe by performing and spending all his free time in restaurants. While he is visiting in Finland, he leaves with his friend Eero for country and stays in the inn of Harakkala. Lardozo falls in love with country girl named Kirsi but soon one of his lady friends, Tanja, arrives from Paris.

This one is modelled on the painting by Paul Delaroche and is an extension of the stage act known as “tableau vivant”.

In 1927 Olive Borden starred in Fox drama The Monkey Talks directed by Raoul Walsh. She played a circus performer who meets a man pretending to be a talking monkey.

Britain's first drama (i.e. non documentary) film.

A new skyscraper is being built in New York City, and numerous workmen are busy at hazardous jobs high above the ground. When one of the workers, Dago Pete, deliberately starts a fight, he is immediately fired. But the discharged worker soon comes up with a plan to commit a robbery and get even. His scheme could affect the lives of several others.

As the only survivor of a battle, a cavalryman heroically defends his flag.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity-- It seems avarice grips the hearts of all those who'd possess the bag.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?

Black and white silent film starring The Clash.

In English known informally as "The Half of a Boy" and "Stepmother". Based on the novel by Kálmán Mikszáth. After his wife's death Gáthy Lörinc (in Serbian version: Mr. Wickfield) remarries and in secret he takes his son born from this second marriage to the same foster parents who take care his first son born from his first marriage and left without mother. Five years later, when both boys return home, his wife does not know which is her own child, and which is the child of the previous wife, so the husband's desire is fulfilled, his orphaned son doesn't have step-mother, because his wife loves both boys equally, as her sweet children.

During WWII, a strong-willed 12-year-old boy tries to steer his vocationally and maritally confused father straight, at the same time striving to keep his honor while the gang in his new neighborhood bully him.

In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.

A railroad worker accepts a colleague's offer to stay in his home, but when his friend is called out one night to stop a runaway train, he makes a play for the man's wife.

The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.

Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.