Psy-Show

Duke Freed is an alien who has escaped to Earth after his home planet was invaded by the armies of Great King Yarban. Five years have passed and now Yarban's daughter, Princess Teronna, is on a mission to find both Duke and his spaceship Grendizer by invading our planet with their fleet of flying saucers. The pilot movie of Grendizer. It is about Duke Fleed, a fugitive of the planet fleed, who was kicked out of his planet by the Armies of Vega. Fleed and the daughter of the king of Vega we in love before the war between their planets. The armies of Vega continue their fight with Duke Fleed.

A documentary that examines whether a charity organized by Pat Robertson to aid Rwandan genocide refugees was a front for diamond mining.

Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education for First Nations children, in safe and suitable schools. She brings together the voices of those who have successfully brought the Dream all the way to the United Nations in Geneva.

In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way. We gain a historic perspective on New York's gay liberation movement, in which Wojtowicz played an active role. In later footage, he remains a subversive force, backed by the unconditional love of his mother Terry, whose wit and charm infuse the film. How and why the bank robbery took place is recounted in gripping detail by Wojtowicz and various eyewitnesses.

The directors, who are also partners, take a journey in pursuit of Sami's father, who abandoned his Danish family when Sami was very young.

Jamie is moving in two weeks from Chicago to New York hoping to become a Broadway actress. Her best friend Jessica is bummed because she's not-so-secretly in love with Jamie. As moving day gets closer, Jessica tries to make Jamie jealous by dating other girls. But Jessica's plan backfires, in a way she could never imagine. Set in working class Chicago and infused with musical dance numbers, "Jamie and Jessie are Not Together" is a love letter to those gray areas of love and lust and to the young romances we will never forget.

The First part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

The Second part of Olympia, a documentary about the 1936 Olympic games in Berlin by German Director Leni Riefenstahl. The film played in theaters in 1938 and again in 1952 after the fall of the Nazi Regime.

A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.

A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.

A 1 minute film about a child's point of view. The short animation describes a situation in which a small girl is lost among a world of high heels.

Marquise de Merteuil, former lover of Vicomte de Valmont, incites him to corrupt the innocent Cécile de Volanges before her wedding night, but Valmont has targeted the peerlessly virtuous and beautiful Madame de Tourvel.

Some of 2011's stand-out film actors appear in "a video gallery of cinematic villainy" for New York Times Magazine.

Charlie, a backpacker, is walking through the bushes with a pen and notebook in his hand. He sways with the rustling of the trees as the music plays in his ears. While walking he sees a lady, Anna, a teenager, swimming in the river. That river became their meeting place and they easily became friends. But Anna’s father, Mang Berting, prohibited Charlie from coming to the river and even threatened him. How far will Anna and Charlie’s friendship go?

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

This was my first 16mm film, made with Desmond Horsfield. For the image we created a gridded score of movements, both within the frame ('subject moves right to left') and between the camera and the subject (zooms, pans, tilts...,) using this as a shooting script. The sound was derived from an old journal, read out loud and then cut-up into the same units of time as the image, ranging from 3 seconds to 1/4 second. Assembling the material was largely mechanical, following the predetermined score. That a tonal portrait of a person emerges was an after effect; we thought of the film as a structural or indexical system of sound/image relations, and viewed the soundtrack as a linguistic experiment, working with the building blocks of speech. - LT

Made in memory of the actor and my friend, Ron Vawter. Ron passed away shortly after the opening performances of the play "Philoktetes Variations," directed by Jan Ritsema and co-authored by Ritsema and Vawter. It was produced by the Kaaitheater in Brussels. All of the images in this video were originally created for the play.

The Nameless Grad Student and his group must travel to an important academic conference and square off against a rival group as they compete for results and grant money. Meanwhile, Cecilia's advisor is going on sabbatical, which means she has to finish writing her thesis or be stuck in grad school another year.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.