Citizen James

Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.

Dorothy’s a film director and a bit of a loser. One night, after a few beers, she lets loose on her script when a call from her producer kills her buzz: enough with the queer comedies, it’s time to start making mainstream films. To avoid sinking to the deepest depths of despair, Dorothy seeks comfort in her favorite TV show "Romy the Vampire Slayer". Unfortunately, her own demons show up.

Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all to fall into place… he has to wait for the postman to start production documenting the process of being master of the world.

A film student at Ryerson University struggles to complete her thesis project.

The residents of Malegaon look to Bollywood cinema for a much-needed escape from daily drudgery. Amateur filmmaker Nasir Shaikh gets inspired to make a film for the people of Malegaon, by the people of Malegaon. He bands together his ragtag group of friends to bring his vision to life, thereby bringing a fresh lease of life into the town.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fare, which starts being plagued by strange, deadly accidents.

A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.

Steve Coogan, an arrogant actor with low self-esteem and a complicated love life, is playing the eponymous role in an adaptation of "The Life and Opinions of Tristram Shandy, Gentleman" being filmed at a stately home. He constantly spars with actor Rob Brydon, who is playing Uncle Toby and believes his role to be of equal importance to Coogan's.

A devout Mormon living in L.A. becomes a pornographic actor after his martial arts moves impress a big-time director.

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.

Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.

Screenwriter Chris meets producer Vlad Kowalski, who wants to finance a horror film to shoot in some of his dilapidated properties. When Vlad insists that Chris write a vampire film, Chris soon starts to believe that this producer may actually be a bloodsucking creature himself... Conflicts arise when Chris pitches an unexpected project...

Facing expulsion from college over a misunderstanding, a bipolar student indulges his misery at a strip club where he befriends a gorgeous, intelligent, outrageous woman and they hatch a madcap scheme to prove his innocence.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

Two maladapted young women, both part of the same internet gore enthusiast community, formulate a plan to meet in person with the intent that one will kill the other, film the killing, and sell the cameras that “watched” to an unsuspecting customer online in the hopes of spurring on a “new era of death.”

A young director and his friends set out to make a film that tests their friendship, ambition, and belief that anything is possible.

The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.