The Other Me

Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

Pyrenees mountain range, 17th century. Before dying, Diego de Robles, leader of a ruthless gang of highwaymen, has his daughter Carmen, a beautiful young woman full of courage, recognized as the new leader of the gang. (Partially preserved film: with a running time of approximately twenty-five minutes, about nineteen survive. There are doubts about the true identities of those involved in the production, both technical and artistic crew.)

A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.

When an aspiring painter grapples with self-doubt in his artistic journey, his father must learn to love and accept him for who he is.

A nervous and unsettling young boy takes a mysterious old suitcase across London... to a twisted and surreal conclusion.

A 1920 film directed by Roy William Neill.

Your first date becomes your worst nightmare...

An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

Nina, mid 20’s, is a visual artist whose art depicts the feminine beauty of all women but struggles with self-identity as a multicultural millennial woman. While flipping through social media her frustration leads her to brood over old photos of complex stages in her life. She’s inspired to create a portrait that represents her personal voyage to self confidence and finally see her beautiful self.

Due to an unfortunate mistake with laboratory samples, a young husband is diagnosed as suffering from the terrible disease of leprosy. In his distress he decides to leave home.

A collective of office girls and their tribulations in the male world, female solidarity, the place of women in the labor and civil rights struggles and the conflict between love and work.

Five friends, all affected in some way by a mercury poisoning incident are partying when a freak accident put them on a collision course with an entity that is in no mood to forgive their misgivings.

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he promptly falls for a beautiful señorita, and runs afoul of the local police chief.

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.