Bugs Bunny's Overtures to Disaster

Kenya, a bold five-year old girl, is reluctantly dragged to a symphony by her mother. Through the power of the orchestra, the young girl's passion for music blossoms before her own eyes.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

While attempting to evade a group of hunters, Bugs Bunny jumps into a rabbit hole and inadvertently tunnels into Sing Song prison, where the malevolent prison guard, Sam Schultz, assumes he's an inmate.

Bugs Bunny, once again making that "wrong turn at Albuquerque", burrows into a bullring where a magnificent bull is making short work of a toreador. The bull bucks Bugs out of the arena, prompting the bunny to declare "Of course you realize, this means war!" The deft Bugs' arsenal comes plenty packed, as he uses anvils, well-placed face slaps and the bull's horns as a slingshot. The bull fights back, using his horns as a shotgun barrel. The bull's comeback is short-lived; just after Bugs makes out his will, he lures the bull out of the arena, just in time to set up a rube-like device that leads to the bull's defeat.

Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.

Karajan's very best video Beethoven 9th Symphony, recorded December 31, 1977. The Quartet of vocal soloists and Chorus in IV are superb. This is much better than Karajan's 1968 Berlin Philharmonic Beethoven 9 video (DG), filmed in the Philharmonie with no live audience present.

Elmer Fudd is hunting both Daffy Duck and Bugs Bunny again.

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Bugs Bunny vs. a famous opera singer at the Hollywood Bowl.

Space hero Daffy battles Marvin the Martian for control of Planet X.

Mickey guest-directs a radio orchestra. The sponsor loves the rehearsal, but come the actual performance, Goofy drops all the instruments under an elevator, so they sound like toys. The sponsor hates it, but the audience loves it anyway.

The release of Mahler's Symphonies Nos. 1 + 2 starts the release the complete Mahler cycle with Paavo Jarvi and the Frankfurt Radio Symphony Orchestra on DVD and Blu-ray. Each Symphony will have an introduction by Paavo Jarvi.

The charismatic and inspiring Claudio Abbado and the mesmerising young pianist Yuja Wang, with the Lucerne Festival Orchestra, hold the audience spellbound in this opening concert of the 2009 Lucerne Festival. Prokofiev's popular and vibrant Third Piano Concerto demonstrates the composer's sharp musical wit, and Yuja Wang is a brilliant exponent of the work. Following this, and chiming beautifully with the festival's theme of the relationship between art and nature, Mahler's First Symphony is given an illuminating and rapturously received performance.

“It would be hard to find anything greater, more significant or more moving anywhere in musical life today: total harmony of mind and heart, poetry and outcry, fear and consolation, knowing and feeling,” declared the Berne paper ‘Der Bund’ after this stunning performance of Mahler’s ‘Resurrection’ Symphony in August 2003 by the newly founded Lucerne Festival Orchestra. Claudio Abbado had formed this ensemble from famous instrumentalists, celebrated chamber-musicians and experienced soloists from the world’s best orchestras, and the event was sold out months in advance. The ‘Neue Zürcher Zeitung’ reported: “Once again the applause at the end was unequalled; the immense final chord … broke a tension that had lasted over 90 minutes without relaxing for a moment.”

For this performance of Mahler's Symphony No. 3, recorded live in 2007 at the Congress and Concert Hall Lucerne, Claudio Abbado and the Lucerne Festival Orchestra are joined by the Arnold Schoenberg Chor and the Tölzer Knabenchor. The soloist is Anna Larsson.

The charismatic and inspiring Claudio Abbado and the magnificent mezzo-soprano Magdalena Kožená, with the Lucerne Festival Orchestra, hold the audience spellbound in this live recording from Lucerne Festival in Summer. Mahler’s five Rückert-Lieder – in a profoundly moving and rapturously received performance – precede Mahler’s sublime and deeply personal Fourth Symphony. This extraordinary work is executed with power, passion and sensitivity, with Magdalena Kožená giving a transcendent rendition of the final movement.

Live performance of Gustav Mahler's 'Symphony No.6' at the 2006 Lucerne Festival. Claudio Abbado conducts the Lucerne Festival Orchestra, which includes soloists such as violinist Kolja Blacher, cellist Natalia Gutman and clarinettist Sabine Meyer.

Two decades after the album’s critically acclaimed release, hip-hop artist Nas teamed up with the National Symphony Orchestra at the Kennedy Center in Washington, D.C., to stage a symphonic rendition of “Illmatic,” one of the most revered albums in hip-hop history. Nas: Live From the Kennedy Center captures the energy and nostalgia of this collaborative performance.

The short-tempered Daffy Duck must improvise madly as the backgrounds, his costumes, the soundtrack, even his physical form, shifts and changes at the whim of the animator.

Daffy Duck and Bugs argue back and forth whether it is duck season or rabbit season. The object of their arguments is hunter Elmer Fudd.