Four hours by boat from the lightship Elbe 1 is the southern entrance and lock of the Kiel Canal. There, in Brunsbüttelkoog, is a seamen's home run by Klara Andresen. This is the main setting of the movie. In the sailors' wives' home, the wives of sailors wait for their return. Klara Andresen not only looks after the concerns of the waiting sailors' wives, but also her brother-in-law Gustav Andresen . Gustav has gone to sea as a ship's cook and now wants to get married. That's why he has placed a marriage announcement and is waiting for the reactions.
A mismatched couple discovers that whatever can go wrong will go wrong during a family visit.
What do you dream of when you're 16-years-old and in a seaside resort in Normandy in the 1980s? A best friend? A lifelong teen pact? Scooting off on adventures on a boat or a motorbike? Living life at breakneck speed? No. You dream of death. Because you can't get a bigger kick than dying. And that's why you save it till the very end. The summer holidays are just beginning, and this story recounts how Alexis grew into himself.
Four gay themed short films: 1.Frühstück, - Young love in Berlin: speed, anonymity and 3 million people making a wish. 2. Frende - Johannes has found a new friend: Marco, the tough guy who seems to know no bounds. 3. Sommerkleid (Une robe d'été (1996))- That's summer... Sebastien loves Sheila. Lucia loves the boys. And Frederic really just wants to sunbathe. 4. Hormone und andere Dämonen (Hormoner og andre demoner (2001)) - All sorts of confusion surrounding a queer pair of siblings and their desire for the same man, sweet blond Lukas...
Helen lives in London with her father and her kids. John, her husband, is an aid-worker in Eastern Europe. He has been gone many months. Helen is desperately anxious that he should come home. Taking the kids to school one morning, she is killed in a car accident. She remains caught in limbo, trapped between life and death. Many miles away, in war-torn Eastern Europe, John is unaware that his wife has died. As Helen herself is unaware that she is dead. Thus begins, a four-day Odyssey: Grandpa and the kids must come to terms with Helen's death; John must travel across a war-torn land as he tries to reach home; and Helen must stand helplessly observing her own existence as it comes back to haunt her - until at last she is reconciled with John, and thus released.
A woman is delighted to have given birth to a baby girl but her life is turned into a nightmare when she goes missing. The police mount a frantic search but to the woman's horror she finds out that it's herself who is the main suspect.
Veracity is about a popular African American student, Olivia, who is outed by her friends after she acts on feelings for a new girl at her high school...
On Declan's sixth birthday, his baby brother Michael dies in his crib from sudden infant death syndrome. His birthday forgotten, and not understanding what "dead" is, Declan experience's the death of his brother only through his parents' grief, frozen in their pain. Declan seeks refuge in his baby brother's room. His birthday now intrinsically linked with Michael's death, he tries to understand what has happened to his family, and if he too will stop breathing in the night. Based on a true story, SOUND ASLEEP is an intimate drama about death from the perspective of six-year-old boy.
As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.
Heavily pregnant Natalie 18 (bolshie and brash) still parties hard with best mate Mel. Homayra 60's (Middle eastern and proud) lives next door and cares for ailing husband Sully. She's sick of Natalie and her friends, their racist comments and loud music. However one night, events change the course of the two women's lives forever and bring forth an unlikely union.
Conny could be happy all round. Her bike rental business with a small workshop is going well, she is happy with her boyfriend Frank and the fact that Conny is pregnant rounds off her happiness. But Conny is struggling with the past. Years ago, she gave up her son Jan for adoption. Her boyfriend Frank tracks down the name of the adoptive parents. Conny cannot suppress her curiosity and finds a way to take part in her son's life. He is now 16 years old and his name is Alexander. He loves cycling more than anything - and is gradually starting to fall in love with Conny...
Hilde Reimer is overjoyed when her three grown-up daughters and their partners move into the old family villa. The only thing that really bothers Hilde is that her three girls are still not married, despite having children and being very much in love.
When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?
Naamkaran is a hindi word and it means The Naming and used in context of naming a child. Naamkaran tells the story of two sisters – one a pickpocket and the other a teacher by profession. Shot in Kolkata in winter, it follows the journey of the two sisters as their worlds collide to make ends meet. The teacher is looking for a good name for her son. She rejects names suggested by her pickpocket sister and ill father. It is interesting to see how she finalizes the name of her kid. Sen Sharma handles the quirky subject with a degree of authority, choosing not to dwell on drama and allowing events to narrate the story.
When Mandie Shaw is thrust into Miss Heathwood’s School for Girls, she struggles to grasp the school’s new rules and the finer points of high society. As Mandie tries to stay out of hot water with Miss Heathwood and discover what the headmistress seems to have against Christmas, she stumbles upon a mystery in the school’s forbidden attic. Will Mandie ignore the warning to flee or try to get to the bottom of the strange noises beyond the boarded-up doors? Uncovering the truth may lead to telling a lie, but it might also unlock the memories of a long-forgotten Christmas.
A bored couple takes in a young man who turns their lives inside out.
Datho (Merab Ninidze) has been innocent in prison for many years. When he comes home nobody wants him. His angelic wife Elene (Anna Antonowicz) has fun with a fire-eater. The two children imagined the father as a hero, not as a sorrowful knight. But everything changes when Datho can freeze his enemies in the bathtub or he calls for rain so that they remain stuck in the mud.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
Following political upheaval, traditionally poor countries have stopped exporting raw materials. The Western world is entering an economic crisis, which is rapidly spreading to Norway. Unemployment rises sharply, and it becomes more difficult to obtain food. The government does not officially acknowledge the crisis, but fear spreads among the population. Demonstrations between the population and the police are now a daily occurrence. Thomas and Vera are also unemployed. The only way out of their predicament is to move out of the city and rent an abandoned farm. The sale of food is banned. Military forces arrive to confiscate what little they have. Later, the city population follows, traveling to the countryside in panic to secure something to eat.
The story of two radically different men thrown together in a Latin American prison cell. One is Valentin, a journalist being tortured for his political beliefs. The other is Molina, a gay window-dresser who fills their lonely nights by spinning romantic fantasies drawn from memories of old movies.