Orphée aux enfers

An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven.

A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.

Aida

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress—connect to the music business in Nashville, Tennessee.

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

A woman, thrown into the stay-at-home routine of raising a toddler in the suburbs, slowly embraces the feral power deeply rooted in motherhood, as she becomes increasingly aware of the bizarre and undeniable signs that she may be turning into a dog.

A humorous and satirical comedy, which places a man from the year 2222 one day in the (then) present day life in GDR, East Germany under Communist regime. Using a crystal for mind reading he uncovers some improprieties and moral weaknesses in the "Beautiful future" professed by VEB ("Volkseigener Betrieb" – "State Owned Holdings").

When dictator Joseph Stalin dies, his parasitic cronies square off in a frantic power struggle to become the next Soviet leader. As they bumble, brawl and back-stab their way to the top, the question remains — just who is running the government?

A group of self-absorbed actors set out to make the most expensive war film ever. After ballooning costs force the studio to cancel the movie, the frustrated director refuses to stop shooting, leading his cast into the jungles of Southeast Asia, where they encounter real bad guys.

1999's Áramótaskaup, an annual 50-minute TV movie, satirizing the events of the past year.

1994's Áramótaskaup, an annual 50-minute TV movie, satirizing the events of the past year.

Opera based on the story of Edward II and Piers Gaveston. Music by George Benjamin, libretto by Martin Crimp. BBC broadcast of the 2018 premiere at the Royal Opera House, the composer conducting, prefaced by commentary and interviews.

Live performance of Philip Glass's opera Kepler (2009) by the Landestheater Linz Upper Austrian State Theater in 2011, conducted by Dennis Russell Davies.

SCUSA MA HO VOTATO BERLUSCONI

A colorful and comedic staging of the classic opera buffa by the Vienna State Opera.

The Nixon Administration falls apart in a farcical manner in the time of the Watergate Scandal.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

The season kicks off with Boitos resplendent retelling of Goethes Faust, a monumental work of 'choral grandeur and melodic richness' (The New York Times) in one of the most impressive productions ever seen at the War Memorial Opera House. The cast includes Ramón Vargas, a tenor 'in ravishing voice' (Financial Times), as the philosopher who sells his soul to the Devil; the 'luminous, compelling' Patricia Racette (Washington Post) as the woman he desires; and, in the vividly menacing title role, the 'seductively malevolent' bass-baritone Ildar Abdrazakov, a 'fullbodied bass-baritone' renowned for his 'wonderfully evil portrayals' (The New York Times).

Paul, a hapless high schooler madly in love with the girl next door, mistakenly summons The Great Duke of Hell, Astaroth. In exchange for his love interest's heart, Paul offers his soul. However, Astaroth turns out to be just as clueless as Paul in the art of love.