Por qué peca la mujer

Legendary masked wrestler El Santo must stop a criminal gang.

Mexican movie

Two brothers living a hard life of manual labor in rural Mexico have a simple dream: saving enough money to build their mother her dream house. But fate has other plans. A friendly game of soccer leads to first Rudo, then to Cursi being taken on by the nation’s top talent scout. Suddenly, they find themselves living the high life of star athletes: fame, fortune, fast cars and beautiful women.

After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.

Small-time crook teams up with a street urchin for mutual support on the margins of society.

In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.

Desperate to flee but consumed by fear, Alejandra, a young mother and working housewife, is trapped in a violent and unsatisfying relationship with her husband, Angel. She leans on her brother Fabián for support, but he has secrets of his own. All of their lives are turned upside down by the arrival of the mysterious Veronica. She convinces them that in the nearby woods, inside an isolated cabin, dwells something not of this world that could be the answer to all of their problems... something whose force they cannot resist and with whom they must make peace or suffer its wrath.

Two stories are told of virgin girls who, while studying at university, fall in love with their teacher. But both stories will not have the same outcome.

A country girl finds herself working as a prostitute, but her true love, a musician, comes looking for her. She must fight a cabaret dancer for his love.

Peasant woman leads a regiment during the final days of the Mexican Revolution. Also, romantic entanglements.

Due to confusion, Rafael is believed responsible for the death of Teresa. His wife Lilia and his brother looking for the real culprits.

The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

The simple life and the values ​​of loyalty and solidarity of the poor people in the environment of professional boxing, is the plot of this film, where Pepe el Toro shows the effort and tragedies that are experienced in this profession.

This is the story of three brothers - a priest, a soldier, and an outlaw - that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.

The life of the musician Juventino Rosas, who despite his talent lived an existence of misfortune and poverty.

Pepe el Toro is married to Celia la Chorreada and they have two children.

Lucía lives with an incurable disease, and Bruno was deported to Mexico with no place to sleep. An unexpected phone call brings them together in an emotional story of overcoming, reconstruction and hope.

Cantinflas works as a model of tuxedos in a prestigious store, your job is to use the smoking in the street along with an advertising sign on his back. The use of smoking gives you access to exclusive places and meet important people. During this time, Cantinflas was the manager of an amateur boxer, it is an attractive nurse assistant and occasionally attending a priest in the church and the orphanage. However, a Cantinflas day while wearing tuxedo, is a rich man, who mistakenly believe that Cantinflas is a millionaire too.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.