What to Do on a Date

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The Boxing Kangaroo is an 1896 British short black-and-white silent documentary film, produced and directed by Birt Acres for exhibition on Robert W. Paul’s peep show Kinetoscopes, featuring a young boy boxing with a kangaroo. The film was considered lost until footage from an 1896 Fairground Programme, originally shown in a portable booth at Hull Fair by Midlands photographer George Williams, donated to the National Fairground Archive was identified as being from this film.

Stories of serious traffic accidents caused by texting and driving are told by the perpetrators and surviving victims.

Consisting of a single shot, Spiders on a Web is one of the earliest British examples of close-up natural history photography. Made by one of the pioneers of the British film industry, G.A. Smith, this short film details spiders trapped in an enclosure, and despite the title, does not actually feature a web.

From Edison films catalog: A long line of horses, mules and ponies are led, driven and ridden into the yards, where they are sold and distributed.

From F.Z. Maguire catalogue: The background of this picture is the Lick Observatory, Mount Hamilton, Cal. This observatory, the gift of James Lick, of Pennsylvania, was constructed at a cost of $700,000, being equipped with one of the most powerful telescopes that has ever been produced, and is famous the world over. The view of the Observatory is very complete, showing the style of architecture, including the glass covered dome in which are placed the various astronomical instruments. Every Saturday night throughout the year is set apart for visitors to inspect the Observatory and look through the great glass. This view shows a coach load driving up and alighting.

Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.

“By the Leanders. The dress of one consists of a pair of wings and a bow and arrow; the other represents a fairy. Bathers in all stages of dress and undress watch the graceful dance.” (Edison film catalog)

“A clever characteristic dance called the 'Yellow Kid.' Very unique. Stage is in the Sutro Baths, San Francisco, Cal., and the audience is composed largely of bathers.” (Edison Catalog)

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

A century-old film depicting opium smokers in French Indochina (Vietnam).

Butterfly dance.

A preadolescent boy, dressed like a street urchin, performs acrobatic stunts for the camera.

A little girl sits at a table, holding a container of what appears to be some sort of food. Suddenly there's a flash of movement: a tortoiseshell cat, with long hair and a very furry tail, has leapt onto the table.

Circus bears showing their tricks.

"This is a very remarkable picture, showing Union Square, New York City, during the great March blizzard of 1899. The camera was stationed at the corner of Broadway and Fourteenth Street, and was swept in almost a complete circle, showing the tremendous drifts of snow and the blockade at 'Dead Man's Curve' in Fourteenth Street. This picture was taken during the busiest time of the day, and shows to what extent New York City was tied up by this tremendous fall of snow." (AMB Picture Catalogue (1902)

Filmed from the Brooklyn tower of the bridge, this is a panorama starting at Manhattan's Battery and then panning northward along the East River shoreline. Reportedly filmed somewhere between 1897 - 1899, though not copyrighted until 1903.

This picture shows the Columbia crossing the line, leading the Shamrock by about 1/2 mile. The Shamrock is plainly seen in the distance and she later comes up and crosses the line in the same picture.

The Statue of Liberty in right profile; No people, no flags rippling in the wind, no seagulls flapping past to mar the unmoving image of the Statue of Liberty.