What to Do on a Date

Errol Morris takes us to a long-running basement electric football league.

Advertising short for Chevrolet combining live action and animation. The film relates the story of Gilbert Willoughby, who, exasperated by his stubborn boxspring mattress, imprudently wishes for the disappearance of springs. Coily, the animated spring sprite, grants his wish, and Gilbert is bedeviled by once-familar appliances that no longer function. Apolo­gizing to Coily, Gilbert acknowledges the contribution of springs to daily life, especially in the Chevrolet.

The film depicts one of the great hunts the South Sea Islanders. Come schools of fish in one of the bays on the island, so hurry on an alarm signal all the people out to sea to seal off the bay to drive the fish towards the coast and to impose there with spears.

This documentary addresses the legacy of the military dictatorship in Chile by sharing the story of young fighters killed by the Pinochet regime as a backdrop to the history of the military dictatorship and the ongoing social conflict in that area. The larger story unfolds in three shorter parts, which explore the student movement, the history of the towns that became centers of armed resistance against the dictatorship, and the indigenous Mapuche conflict.

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

Much of Hunter's fame was built upon her resemblance to Marilyn Monroe; indeed, her Playboy pose was obviously inspired by Monroe's notorious 1949 nude photo session with Tom Kelley from which her own Playboy photo came. The similarity in look between Hunter and Monroe also came into play when a nude Hunter starred in a film short called Apple Knockers and Coke. For many years there have been those who have seen the film and have mistaken Hunter for Monroe.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Gula

Developments in the Canadian forestry industry during the 1970s are shown being carried out both as lab experiments and in the field to protect and conserve the country's vast forests. These include turning a Newfoundland bog into woodland, fostering British Columbia seedlings that withstand mechanical planting, inoculating Ontario elms against the bark beetle, devising ways of controlling fire, and more.

A short black-and-white silent documentary film featuring one dog jumping through hoops and another dancing in a costume, which was considered lost until footage from an 1896 Fairground Programme was identified as being from this film.

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

Jellyfish blooms are making headlines around the world. This is due to the damage they cause to tourism, fishing and our health. How can these creatures, which are over 98% water and have no shell, skeleton or brain, expand so rapidly? Although this is a normal stage in the life cycle of these gelatinous animals, we have to admit that blooms have become much more frequent and massive in recent decades. We're even witnessing jellyfish populations appearing in more and more regions where fish have been replaced by them, such as off the coast of Namibia, in the Black Sea, in the Sea of Japan and in certain areas of the Baltic Sea. What causes this? Why has the role of jellyfish in the ocean been underestimated, even though they outlived the dinosaurs? Are jellyfish on their way to dominating the oceans as they once did? What if they were to be the only ones left?

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

A short film made by the Central Office of Information about how to cook Potatoes, with narration from Max Munden.

A 13-minute documentary film depicting life in Prague.

Explore the extraordinary hidden world of insects, where a leaf weighs more than a car, rain drops feel like exploding hand grenades and a blade of grass soars like a skyscraper. Shot on location in the Borneo rainforest, Bugs! brings the beautiful and dangerous universe of its tiny stars up close and personal with cutting-edge technology that magnifies them up to 250,000 times their normal size.